Half Nude Collection

The Spartan Runner Ladas Falling Dead at the Feet of the Judges as they Present him with the Palm of Victory at
CHT217686 The Spartan Runner Ladas Falling Dead at the Feet of the Judges as they Present him with the Palm of Victory at Olympia, 1906 (litho) (b/w photo) by Bennett

I AM... NOT 4
Alejandro Marcos

Keep a Secret
Ildiko Neer

Portrait with notes of erotic
Zachar Rise

shadows game
Olga Mest

"Spring Fashion"
Roland Helerand

Hug
Fabrizio Micheli

The Trinity, detail of a Renaissance altarpiece (painted and gilded wood)
REV345867 The Trinity, detail of a Renaissance altarpiece (painted and gilded wood) by Spanish School, (16th century); Monasterio de Santa Maria de San Salvador, Canas, Spain; (add.info.: Trinite)

Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail of head, c
ALI383170 Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail of head, c.1805-08 (marble) (see also 383164 to 383169) by Canova, Antonio (1757-1822); Galleria Borghese, Rome, Lazio

Adam and Eve banished from Paradise, from Hadiqat al-Suada, 1610
REV287787 Adam and Eve banished from Paradise, from Hadiqat al-Suada, 1610, Baghdad (vellum) by Islamic School, (17th century); Topkapi Palace Museum, Istanbul

View of the Fountain of the Four Seasons, right part, rue de Grenelle
XIR346095 View of the Fountain of the Four Seasons, right part, rue de Grenelle, 1739-46 (detail) (see also 346093, 346094, 346096, 346097) (stone) (b/w photo) by Bouchardon, Edme(1698-1762); Paris

Samson and Delilah (oil on canvas)
REV346182 Samson and Delilah (oil on canvas) by Pina, Jose Salome (1830-1909); Museo Nacional de Arte, Mexico City, Mexico; (add.info)

Spoons for make-up, New Kingdom (wood) (b / w photo)
XIR326629 Spoons for make-up, New Kingdom (wood) (b/w photo) by Egyptian 18th Dynasty (c.1567-1320 BC); Louvre, Paris, France; (add.info.: cuillers a fard; cuillere; cuilleres; ); Egyptian

Statuette of Epona, Gaulish Goddess, protector of horses, riders and travellers
XIR163434 Statuette of Epona, Gaulish Goddess, protector of horses, riders and travellers, from La Sarrazine, Jura, c.50 BC-400 AD (bronze) (b/w photo)

The Death of Socrates (470-399 BC) (b / w photo)
XIR233776 The Death of Socrates (470-399 BC) (b/w photo) by Quellin I, Arnold or Artus the Elder (1609-68); Teylers Museum, Haarlem

Red-figure amphora depicting the parting of Alcestis and Admetus (ceramic) (b / w photo)
XIR242884 Red-figure amphora depicting the parting of Alcestis and Admetus (ceramic) (b/w photo) by Etruscan; Bibliotheque Nationale, Paris

Faun and Bacchante, from Pompeii (fresco) (b / w photo)
ALI242793 Faun and Bacchante, from Pompeii (fresco) (b/w photo) by Roman; Museo Archeologico Nazionale, Naples, Campania, Italy; Alinari

Group of Flora (see also 252766) (bronze) (b / w photo)
XIR252765 Group of Flora (see also 252766) (bronze) (b/w photo) by Tuby, Jean Baptiste I (1635-1700); ChAteau de Versailles, France; (add.info.: goddess of flowers and Spring; ); French

Man of New Caledonia (engraving)
661413 Man of New Caledonia (engraving) by Viero, Teodoro (1740-95); Bibliotheque des Arts Decoratifs, Paris, France; (add.info)

Native Inhabitants of the Friendly Islands Dancing in Hapee
CHT200415 Native Inhabitants of the Friendly Islands Dancing in Hapee, from the Third Voyage Atlas of Captain James Cook (1728-79) 1777 (engraving) (b/w photo) by Webber

Sarcophagus depicting the death of Alcestis (marble) (b / w photo)
ALI242883 Sarcophagus depicting the death of Alcestis (marble) (b/w photo) by Roman; Vatican Museums and Galleries, Vatican City; (add.info)

The good Samaritan, illustration from a catechism L Histoire Sainte
REV326578 The good Samaritan, illustration from a catechism L Histoire Sainte, published by Charles Delagrave, Paris, late 19th century (colour litho) by French School

Christophe Plantins print mark, illustration from Works by Tacitus
XIR224675 Christophe Plantins print mark, illustration from Works by Tacitus, 1607 (engraving) (b/w photo) by Flemish School

View of the Fountain of the Four Seasons, central part, rue de Grenelle
XIR346093 View of the Fountain of the Four Seasons, central part, rue de Grenelle, 1739-46 (detail) (see also 346094, 346095, 346096, 346097) (stone) (b/w photo) by Bouchardon

The Flagellation of Christ (oil on panel)
REV345903 The Flagellation of Christ (oil on panel) by Spanish School, (17th century); Monasterio de Santa Maria de San Salvador, Canas, Spain; Spanish, out of copyright

St. Sebastian and St. James the Great, panel from the Church San Andres of Tortura
REV345848 St. Sebastian and St. James the Great, panel from the Church San Andres of Tortura, late 15th century-early 16th century (painted wood) (see also 345849)

View of the Fountain of the Four Seasons, left part, rue de Grenelle
XIR346096 View of the Fountain of the Four Seasons, left part, rue de Grenelle, 1739-46 (detail) (see also 346093, 346094, 346095, 346097) (stone) (b/w photo) by Bouchardon, Edme(1698-1762); Paris

Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan
CHT287236 Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan, or Le Festin de Pierre by Moliere

Pauline Bonaparte, Princess Borghese as Venus Triumphant, rear view, c. 1805-08 (marble) (see also 383164)
ALI383165 Pauline Bonaparte, Princess Borghese as Venus Triumphant, rear view, c.1805-08 (marble) (see also 383164, 383166 to 170) by Canova, Antonio (1757-1822); Galleria Borghese, Rome, Lazio

Pauline Bonaparte, Princess Borghese as Venus Triumphant, c. 1805-08 (marble) (see also 383165 to 383170)
ALI383164 Pauline Bonaparte, Princess Borghese as Venus Triumphant, c.1805-08 (marble) (see also 383165 to 383170) by Canova, Antonio (1757-1822); Galleria Borghese, Rome, Lazio

Jesus in front of Caiaphas, detail of a Renaissance altarpiece (painted and gilded wood)
REV345865 Jesus in front of Caiaphas, detail of a Renaissance altarpiece (painted and gilded wood) by Spanish School, (16th century); Monasterio de Santa Maria de San Salvador, Canas

Orpheus leading Eurydice out of hell, illustration for the opera
1200093 Orpheus leading Eurydice out of hell, illustration for the opera Orpheus and Eurydice by Christoph von Gluck (1714-87), 1764 (engraving) by Monnet

Adam and Eve expelled from paradise, illustration from L Ancien Testament
REV326530 Adam and Eve expelled from paradise, illustration from L Ancien Testament, published by Jakob Ferdinand Schreiber, Esslingen (colour engraving) by German School

Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail of head, c
ALI383168 Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail of head, c.1805-08 (marble) (see also 383164 to 167, 169, 170) by Canova, Antonio (1757-1822); Galleria Borghese, Rome

Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail, c. 1805-08 (marble) (see also 383164, 383165 to 170)
ALI383166 Pauline Bonaparte, Princess Borghese as Venus Triumphant, detail, c.1805-08 (marble) (see also 383164, 383165 to 170) by Canova, Antonio (1757-1822); Galleria Borghese, Rome, Lazio

Flora (detail, see also 252765) (bronze) (b / w photo)
XIR252766 Flora (detail, see also 252765) (bronze) (b/w photo) by Tuby, Jean Baptiste I (1635-1700); ChAteau de Versailles, France; (add.info.: goddess of flowers and Spring; ); French

Kanaks, New Caledonia (b / w photo)
661461 Kanaks, New Caledonia (b/w photo) by French Photographer, (19th century); Societe de Geographie, Paris, France; (add.info.: canaques)

Orpheus leading Eurydice out of hell, illustration for the opera
CHT163519 Orpheus leading Eurydice out of hell, illustration for the opera Orpheus and Eurydice by Christoph von Gluck (1714-87), 1764 (engraving) (b/w photo) by Monnet

Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c
698898 Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c.480 BC (pottery) (b/w photo) by Douris, (c.500-460 BC); 12x31 cm; Bibliotheque Nationale, Paris

Frontispiece to In Praise of Folly by Desiderius Erasmus (engraving)
698811 Frontispiece to In Praise of Folly by Desiderius Erasmus (engraving) by French School, (16th century); Bibliotheque Nationale, Paris

Illustration from Histoire Naturelle de l Homme
CHT217641 Illustration from Histoire Naturelle de l Homme by Georges de Buffon (1707-88) published 1749, Paris (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris

Fountain of the Four Seasons, rue de Grenelle, 1739-46 (detail) (see also 346093, 346095
XIR346094 Fountain of the Four Seasons, rue de Grenelle, 1739-46 (detail) (see also 346093, 346095, 346096, 346097) (stone) (b/w photo) by Bouchardon, Edme(1698-1762); Paris

Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b / w photo)
ALI242882 Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo) by Roman; Museo Archeologico Nazionale, Naples, Campania

Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b / w photo)
ALI242881 Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo) by Roman; Museo Archeologico Nazionale, Naples, Campania

Antinous, c. 130-140 AD (marble) (b / w photo)
ALI287621 Antinous, c.130-140 AD (marble) (b/w photo) by Roman, (2nd century AD); Museo Torlonia, Rome, Italy; (add.info.: Antinous or Antinoos (c.110-130)

Lucertola (half female, half green lizard), 1908 (colour litho)
CHT163392 Lucertola (half female, half green lizard), 1908 (colour litho) by Okun, Edward (1872-1945); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; Polish, out of copyright

artificial
Silvia Guillet

1011626

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"Exploring the Sensual: A Glimpse into Erotic Art through Centuries" This captivating collection of art pieces takes us on a journey through time, revealing the allure and intrigue of human sensuality. From portraits with subtle hints of eroticism to explicit scenes captured in engravings and photographs, these artworks offer a glimpse into our complex relationship with desire. In one frame, we witness a Marchioness being carried in a sedan chair by two black servants, their presence adding an element of exoticism to the composition. The color engraving beautifully captures both power dynamics and hidden desires. Turning the pages, we stumble upon an illustration from Fleurettes Purple Snails - a collection that celebrates 18th-century erotic songs and poems. Plate XI entices us with its delicate yet provocative depiction of an intimate encounter; it is as if passion leaps off the page. The early 19th century comes alive through vivid engravings showcasing moments before a ball or during bedtime rituals. These glimpses into private spheres reveal how sensuality permeated every aspect of life during those times. Bronze sculptures transport us back to ancient Greece's Hellenistic period. Attis leaning against a column exudes vulnerability and longing while another sculpture portrays Attis himself in all his divine beauty. These monochrome photographs capture their essence perfectly. Woodblock prints take us further eastward, depicting lovers intertwined in passionate embraces—a testament to love's universal language that transcends cultural boundaries throughout history. A daring inclusion from works by Marquis de Sade reminds us that erotica has always pushed societal boundaries—provoking thought and challenging norms even centuries ago. Finally, we find ourselves immersed in vibrant colors as Apaches revel in joyful mischief—an unexpected twist amidst this exploration of sensual art forms but reminding us that pleasure can be found even within playful moments.