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Extremes must meet; or, a bit of Practical Science (engraving)
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Extremes must meet; or, a bit of Practical Science (engraving)
2777134 Extremes must meet; or, a bit of Practical Science (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: Extremes must meet; or, a bit of Practical Science. Cartoon, 13 April 1867. Illustration for Benjamin Disraeli, Earl of Beaconsfield from the Collection of Mr Punch (Punch, 1878).); Look and Learn / George Collection
Media ID 23461042
© Look and Learn / George Collection / Bridgeman Images
1867 Benjamin Disraeli Classes Enjoyment Extremes Franchise Meet Payment Principle Rates Reform Bill
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Extremes Must Meet - A Satirical Take on Practical Science
EDITORS COMMENTS
. This engraving by John Tenniel, titled "Extremes must meet; or, a bit of Practical Science" offers a humorous and thought-provoking commentary on the political landscape of 19th-century Britain. Created as a cartoon for Benjamin Disraeli's collection in Punch magazine, this satirical drawing depicts the Reform Bill of 1867. The image cleverly portrays two contrasting figures representing different social classes - one from the upper class and another from the working class. They are humorously connected through an intricate contraption symbolizing practical science. This visual metaphor highlights the idea that despite their stark differences, extremes can indeed converge. Tenniel's artwork playfully mocks the notion of household suffrage and payment rates while shedding light on political principles and societal divisions prevalent during that time. The cartoon also alludes to Germany's influence on British politics in Europe. With its scathing satire and witty caricatures, this print captures both amusement and reformist spirit. It serves as a reminder that even amidst political tensions, there is room for enjoyment and unity across diverse classes. This fine art print invites viewers to reflect upon historical events while appreciating Tenniel's artistic prowess in capturing complex ideas through visual storytelling. As we gaze upon this piece today, it continues to resonate with our understanding of politics, society, and human nature itself.
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