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"Good-bye!"(engraving)

'Good-bye!'(engraving)


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"Good-bye!"(engraving)

2777110 " Good-bye!" (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: " Good-bye!" Cartoon, 30 January 1875. Illustration for Benjamin Disraeli, Earl of Beaconsfield from the Collection of Mr Punch (Punch, 1878).); Look and Learn / George Collection

Media ID 23461020

© Look and Learn / George Collection / Bridgeman Images

1875 Appearance Benjamin Disraeli Good Leadership Liberal Party Mr Gladstone Occasional Parliament Session


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Pop art > Satire > Satirical artwork

> Europe > Germany > Politics

> Europe > United Kingdom > England > London > Politics > Benjamin Disraeli

> Europe > United Kingdom > England > Politics

> Fine Art Finder > Artists > John (after) Tenniel

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images

> Popular Themes > Politics


EDITORS COMMENTS
The print titled ""Good-bye!" (engraving)" captures a satirical cartoon from 1875, created by the renowned artist John Tenniel. This humorous artwork is part of the private collection and depicts an amusing scene in the British Parliament. The engraving was originally published in Punch magazine and later included in Benjamin Disraeli's collection. In this political satire, Tenniel portrays a comical moment during a parliamentary session. The focus lies on two prominent figures: Benjamin Disraeli, Earl of Beaconsfield, and Mr Gladstone. As they bid farewell to each other with exaggerated gestures, their expressions convey both amusement and occasional tension. This caricature reflects the dynamic leadership rivalry between these influential politicians at that time. It also touches upon broader themes such as Britain's relationship with Germany and Europe during the late 19th century. Tenniel's satirical drawing cleverly combines humor with scathing commentary on political affairs. Through his artistic skill, he highlights not only the personalities involved but also larger issues within British politics. This print serves as a visual reminder of British culture and history while offering insight into the wit and creativity employed by artists like Tenniel to critique societal norms through artistry.

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