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Master Skettles, c. 1920s (pen & ink with w / c on paper)
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Master Skettles, c. 1920s (pen & ink with w / c on paper)
FLP465453 Master Skettles, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info.: From Thirty Original Character Illustrations to Dombey & Son ; Dombey & Son by Charles Dickens (1812-70), first published in installments 1846-48; ); eFree Library of Philadelphia; Rare Book Department, Free Library of Philadelphia; British, out of copyright
Media ID 22672704
© Free Library of Philadelphia Rare Book Department, Free Library of Philadelphia / Bridgeman Images
Arrogant Charles Dickens Collar Dombey Snob Snobbish Characters
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Master Skettles, c. 1920s - A Captivating Character from Dombey & Son
EDITORS COMMENTS
. This print showcases "Master Skettles" a character brought to life through the skillful pen and ink with watercolor technique by Joseph Clayton Clarke (Kyd) in the 1920s. Measuring 28.5x22.5 cm, this artwork is housed in the esteemed Free Library of Philadelphia's Rare Book Department. Taken from Charles Dickens' renowned novel, Dombey & Son, Master Skettles embodies youthful arrogance and snobbery. The full-length illustration portrays a young boy donning an elaborate collar that exudes his privileged upbringing. Clarke's masterful depiction captures not only the physical appearance but also the essence of this literary figure. With every stroke of his pen, he breathes life into Master Skettles, allowing viewers to delve into Dickens' world and experience the complexities of his characters. The painting resonates with both lovers of literature and art enthusiasts alike as it encapsulates the charm and depth found within Charles Dickens' works. It serves as a reminder of how literature can transcend time, bringing characters like Master Skettles back to life for generations to come. As we gaze upon this remarkable piece, we are transported back to the 19th century when Dombey & Son was first published in installments between 1846-48. Through this print captured by Bridgeman Images on behalf of Fine Art
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