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Benefactors and illuminator of the Abbey of St Albans. 1842 (engraving)
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Benefactors and illuminator of the Abbey of St Albans. 1842 (engraving)
7235037 Benefactors and illuminator of the Abbey of St Albans. 1842 (engraving) by Strutt, Joseph (1749-1802); Private Collection; (add.info.: William de Albeneis, Pincerna Regis, with goblet and sword: (f.91v), John Gyniford and his wife Margaret with large bag of gold (f.112v); Alan Strayler, lay illuminator to the abbey (f.108r) and Thomas Bedel of Redbourn. Benefactors and illuminator to the Abbey of St Albans. From the Golden Book of St Albans, Cotton Nero MS D vii. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.); © Florilegius
Media ID 25210662
© Florilegius / Bridgeman Images
Ethnicity Madieval National Costume C European Economic Community C European Union Costume Design Early Xv Century Ethnography Fancy Dress Fancy Dress Costume Inhabitant Late Middle Age Late Xv Century Medieval Period Medioeval Middles Ages Societies Summer Clothes
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EDITORS COMMENTS
This engraving, titled "Benefactors and illuminator of the Abbey of St Albans" takes us back to the 15th century in England. The print showcases four individuals who played significant roles in the life of the abbey. In the foreground, we see William de Albeneis, Pincerna Regis, holding a goblet and sword with an air of authority. His presence exudes power and influence as he stands tall beside his symbols of wealth and protection. Next to him are John Gyniford and his wife Margaret, depicted with a large bag overflowing with gold coins. Their generous contribution to the abbey is evident as they proudly display their wealth. Alan Strayler, portrayed on another page of this Golden Book, was a lay illuminator dedicated to enhancing the beauty of religious manuscripts for St Albans Abbey. His artistic talent is showcased through intricate details that bring life to sacred texts. Lastly, Thomas Bedel from Redbourn completes this group portrait. Although not much information is available about him, his inclusion suggests he too made a valuable contribution to the abbey's prosperity. Engraved by Joseph Strutt in 1842 as part of his comprehensive study on English dress and habits throughout history, this hand-colored print offers us a glimpse into medieval society's patrons and artists. It serves as a testament to their devotion towards preserving cultural heritage within one of England's most renowned abbeys - St Albans Abbey.
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