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The Dead Christ Laying on His Shroud Painting by Philippe de Champaigne (1602-1674

The Dead Christ Laying on His Shroud Painting by Philippe de Champaigne (1602-1674


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The Dead Christ Laying on His Shroud Painting by Philippe de Champaigne (1602-1674

JLJ4593152 The Dead Christ Laying on His Shroud Painting by Philippe de Champaigne (1602-1674) 17th century Sun 0, 68x1, 97 m Paris, Musee du Louvre by Champaigne, Philippe de (1602-74); Louvre, Paris, France; (add.info.: The Dead Christ Laying on His Shroud Painting by Philippe de Champaigne (1602-1674) 17th century Sun 0, 68x1, 97 m Paris, Musee du Louvre); Photo ePhoto Josse; French, out of copyright

Media ID 22865926

© Josse / Bridgeman Images

Blood Crown Of Thorns Shroud


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EDITORS COMMENTS
This print captures the profound and haunting masterpiece, "The Dead Christ Laying on His Shroud" by Philippe de Champaigne. Painted in the 17th century, this artwork measures 0.68x1.97 meters and is housed in the prestigious Musee du Louvre in Paris, France. Champaigne's painting depicts a poignant scene of Jesus Christ after his crucifixion, lying peacefully on his burial shroud. The artist skillfully portrays the lifeless body with meticulous attention to detail, emphasizing the wounds inflicted during his crucifixion – most notably the crown of thorns that rests upon his head. The image evokes a sense of solemnity and reverence as viewers are confronted with the reality of Christ's sacrifice for humanity's salvation. The bloodstains on his body serve as a stark reminder of the pain and suffering endured for mankind's sins. "The Dead Christ Laying on His Shroud" is not merely an artistic representation but also holds deep religious significance. It serves as a visual interpretation of biblical accounts surrounding Jesus' death and resurrection, inviting contemplation and reflection upon one's faith. This photograph beautifully captures every brushstroke and nuance present in Champaigne's original work while preserving its historical context within French art history. As we gaze upon this powerful image, we are reminded of both human mortality and divine redemption – themes that have resonated throughout centuries across cultures worldwide.

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