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Noli Me Tangere Ceramic Relief by Giovanni della Robbia (1469-1529) Florence
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Noli Me Tangere Ceramic Relief by Giovanni della Robbia (1469-1529) Florence
LRI4594173 Noli Me Tangere Ceramic Relief by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello by Robbia, Giovanni della (1469-c.1530); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Noli Me Tangere Ceramic Relief by Giovanni della Robbia (1469-1529) Florence, Museo Nazionale del Bargello); Luisa Ricciarini; Italian, out of copyright
Media ID 22537082
© Luisa Ricciarini / Bridgeman Images
Saint Mary Madeleine Aureole Cinquecento Quattrocento
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EDITORS COMMENTS
This print showcases the exquisite "Noli Me Tangere Ceramic Relief" by renowned artist Giovanni della Robbia. Created in Florence during the late 15th century, this masterpiece is housed in the Museo Nazionale del Bargello and represents a significant piece of Italian Renaissance art. The relief depicts a biblical scene from the New Testament, specifically inspired by John 20:17. The central figure is Jesus Christ, portrayed with divine grace and surrounded by an aureole. On his left stands Saint Mary Magdalene, known for her devotion to Jesus. The composition beautifully captures their encounter after Christ's resurrection when he instructs Mary not to touch him. Giovanni della Robbia's craftsmanship shines through in this ceramic artwork. The intricate carving and attention to detail showcase his mastery of the medium, making it a true testament to his talent as both a sculptor and ceramist. As we gaze upon this remarkable piece, we are transported back in time to the Quattrocento period of Italian history. It serves as a reminder of the profound influence that religion had on art during this era and how artists like Giovanni della Robbia were able to bring biblical stories to life through their creations. Luisa Ricciarini has expertly captured every nuance of this ceramic relief through her photography skills, allowing us all to appreciate its beauty even if we cannot witness it firsthand at the Museo Nazionale del Bargello in Florence.
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