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Saint Cecilia, 1889

Saint Cecilia, 1889


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Saint Cecilia, 1889

BAL50092 Saint Cecilia, 1889 by Bunny, Rupert Charles Wolston (1864-1947); Philip Bacon Collection, Brisbane, Australia

Media ID 25130492

© Bridgeman Images

Cecile Flowers Of Earth Garden Flower Lyre Muscial Instrument Muscial Instruments Religious Art Roses Sainte Seraph Seraphs Wild Flower Wild Roses Woodwind Instrument Flowerbed Flowes Fresh Flowers Halo Music Instrument Musical Instruments Musics


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> Arts > Artists > P > Charles Philips

> Fine Art Finder > Artists > Louis Picard

> Fine Art Finder > Artists > Rupert Charles Wolston Bunny

> Fine Art Finder > Saints

> Oceania > Australia > Brisbane


EDITORS COMMENTS
This print showcases "Saint Cecilia, 1889" by Rupert Charles Wolston Bunny. The artwork, part of the Philip Bacon Collection in Brisbane, Australia, beautifully depicts Saint Cecilia surrounded by an ethereal aura. In this enchanting composition, Saint Cecilia is portrayed as a celestial figure adorned with a halo and angelic wings. She holds a lyre, symbolizing her connection to music and the arts. Delicate roses gracefully frame her presence, adding a touch of natural beauty to the scene. Bunny's meticulous attention to detail is evident in every brushstroke of this 19th-century Australian masterpiece. The artist expertly captures the serenity and grace associated with religious art while infusing it with his unique style. The inclusion of wildflowers further enhances the visual narrative, representing both botanical elements and symbolic references to earthly existence. These fresh blooms create a harmonious contrast against Saint Cecilia's divine presence. Through this painting, Bunny invites viewers into a world where spirituality intertwines seamlessly with artistic expression. It serves as a testament to the power of music and its ability to transcend boundaries between heaven and earth. As we gaze upon this work of art from Bridgeman Images' collection on Fine Art Finder, we are reminded of the enduring influence that artists like Bunny have had on shaping our understanding of religious iconography within the context of their time.

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