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Gabrielle d Estrees (1573-1599), mistress of King Henry IV
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Gabrielle d Estrees (1573-1599), mistress of King Henry IV
JLJ4652587 Gabrielle d Estrees (1573-1599), mistress of King Henry IV and his sister the Duchess of Villars (Julienne Hypolite or Julienne Hypolite) (1575-1657) Painting of the School of Fontainebleau, 1575-1600 Sun. 0, 96x1, 25 m - Portrait of Gabrielle d Estrees (1573-1599) and her sister the Duchess of Villars (Julienne Hypolite) (1575-1657) - Painting by an unknown artist from the Fontainebleau school, oil on panel (96 x 125 cm), 1594 - by Fontainebleau School, (16th century); Louvre, Paris, France; (add.info.: Gabrielle d Estrees (1573-1599), mistress of King Henry IV and his sister the Duchess of Villars (Julienne Hypolite or Julienne Hypolite) (1575-1657) Painting of the School of Fontainebleau, 1575-1600 Sun. 0, 96x1, 25 m - Portrait of Gabrielle d Estrees (1573-1599) and her sister the Duchess of Villars (Julienne Hypolite) (1575-1657) - Painting by an unknown artist from the Fontainebleau school, oil on panel (96 x 125 cm), 1594 -); Photo ePhoto Josse; French, out of copyright
Media ID 22855378
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print showcases a stunning portrait of Gabrielle d'Estrees, the mistress of King Henry IV, and her sister, the Duchess of Villars. Painted by an unknown artist from the Fontainebleau school in 1594, this oil on panel masterpiece measures 96 x 125 cm. The painting is currently housed in the Louvre Museum in Paris. Gabrielle d'Estrees was a prominent figure during the late 16th century and played a significant role in French history as King Henry IV's beloved mistress. Her beauty and charm are beautifully captured in this artwork, which exudes elegance and grace. The composition also includes her sister, Julienne Hypolite or Julienne Hypolite de Villars. Together, they create a striking visual contrast with their distinct features and expressions. The School of Fontainebleau was renowned for its artistic excellence during this period, known for producing exquisite works that combined elements of Italian Mannerism with French Renaissance style. This print allows us to appreciate the intricate details and vibrant colors used by the artist to bring these historical figures to life. It serves as a testament to both their individual beauty and their close bond as sisters. As we gaze upon this remarkable piece of artistry through time, we are transported back to an era filled with intrigue, power dynamics, and undeniable allure.
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