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Carte de visite du Charivari, 1867 (engraving)
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Carte de visite du Charivari, 1867 (engraving)
3471711 Carte de visite du Charivari, 1867 (engraving) by Hadol, Paul (1835-1875); Private Collection; (add.info.: The team at Le Charivari with portraits of the principal writers and artists of the magazine (published 1832-1937);
HonoreDaumier [1808-1879] between Leroy and Cham (Amedee de Noe1818-79) at the back
Alfred Darjou (1832-74) second row, AndreGill [1840-1885] Valere Morland and Hadol himself in the front
); French, out of copyright
Media ID 22987208
© Bridgeman Images
Cham Daumier Gill Louis Huart Caricaturists Charivari Contributor Le Charivari Leroy Morland
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EDITORS COMMENTS
This photo print, titled "Carte de visite du Charivari, 1867" takes us back to the vibrant world of French satire in the mid-19th century. The image showcases the team behind Le Charivari, a renowned magazine that was published for over a century. In this snapshot of history, we see portraits of the principal writers and artists who contributed to the magazine's success. Honore Daumier, one of France's most celebrated caricaturists, stands tall between Leroy and Cham (Amedee de Noe), two other influential figures in the world of art and literature. Alfred Darjou can be found in the second row while Andre Gill, Valere Morland, and Hadol himself grace the front row. The composition exudes an air of camaraderie as these talented individuals come together to create thought-provoking cartoons and satirical pieces that challenged societal norms. Their work aimed to entertain but also shed light on political issues and social injustices prevalent during their time. Through this photograph, we catch a glimpse into a bygone era where wit met artistic talent. It serves as a testament to the power of collaboration among creative minds striving for change through their pens and brushes. As we admire this historical artifact captured by Bridgeman Images' lens, let us appreciate these pioneers who fearlessly used their artistry to shape public opinion while leaving an indelible mark on French literary culture.
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