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Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)
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Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)
986287 Illustration for the packaging of eau de Cologne, c.1825 (watercolour and bodycolour) by French School, (19th century); 32.5x45.3 cm; Private Collection; (add.info.: Illustration for the packaging of eau de Cologne. From Parfumerie Catalogue, by Jean-Baptiste Briard and others (retailers). French School, (19th century). Watercolour and bodycolour. Paris, circa 1825. 32.5 x 45.3cm.); Photo eChristies Images; French, out of copyright
Media ID 22638832
© Christie's Images / Bridgeman Images
1820s 1825 Active Animal Likeness Armorial Background Body Color Body Colour Bodycolor Bodycolour Book Title Bottle Business Capital Letter Coats Of Arms Commercial Commercial Premises Communication Equipment Container Continental Pictures Cosmetic Cosmetics Crate Crest Cut Flower Early 19th Century Early Nineteenth Century Eau De Cologne French School Ground Household Equipment In A Line In A Row In Flight Kitchenware Language Make Up Makeup Media Packaging Pair Of Objects Patterned Physical Activity Position Publication Publicity Representation Store Toiletries Two Objects Water Color Water Colour White Background Wreath 19th Century Painting
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EDITORS COMMENTS
This illustration from the 19th century showcases an exquisite design created for the packaging of eau de Cologne. Painted in watercolour and bodycolour, this artwork captures the essence of elegance and sophistication that was associated with perfumes during that era. The image features two objects placed side by side on a white background. The first object is a beautifully crafted bottle, adorned with intricate floral patterns and a coat of arms. Its delicate shape suggests luxury and refinement. The second object is a book titled "Parfumerie Catalogue" indicating its purpose as an advertisement for various fragrances. Flowers play a prominent role in this composition, symbolizing nature's beauty and the aromatic scents contained within each bottle. A wreath encircles both objects, adding to the overall aesthetic appeal. The artist skillfully incorporates elements such as wings and flying motifs, suggesting movement and dynamism within this still life representation. This adds an element of excitement to what would otherwise be considered static imagery. Overall, this illustration serves as a testament to the artistry involved in perfume packaging during the early 19th century. It transports us back in time to an era where attention to detail was paramount when presenting these luxurious products to discerning customers.
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