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Original score of the beginning of the symphony accompaning the entry of Alcides in

Original score of the beginning of the symphony accompaning the entry of Alcides in


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Original score of the beginning of the symphony accompaning the entry of Alcides in

KDC441045 Original score of the beginning of the symphony accompaning the entry of Alcides in Tobias Smolletts play Alcestes, set to music by Handel between 27 December. 1749 and 8 January, 1750, 1750 (pen and ink on paper) by Handel, George Frederick (1685-1759); Private Collection; (add.info.: only known example of incidental music by Handel; not performed for its original purpose but used for Handels Oratorio The Choice of Hercules on 1 March, 1751; facsimile from Facsimiles of Royal, Historical & Literary Autographs in the Department of Manuscripts, British Museum, 4th series, printed for the Trustees, 1898; Add.MS.24182, f.15.; ); German, out of copyright

Media ID 22925048

© Bridgeman Images

Composition Facsimile Frideric Georg Friedrich Haendel Holograph Notation Oratorio Score Sheet Symphony Smollett


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > H > George Frederick Handel

> Arts > Artists > Michelangelo Buonarroti > Michelangelo's drawings

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo

> Europe > Germany > Music > Composers > George Frideric Handel

> Europe > United Kingdom > England > London > Sights > British Museum

> Fine Art Finder > Artists > George Frederick Handel

> Fine Art Finder > Artists > Michelangelo Buonarroti

> Fine Art Finder > Music 18th Century


EDITORS COMMENTS
This print showcases the original score of the symphony that accompanied the entry of Alcides in Tobias Smollett's play Alcestes, set to music by George Frederick Handel. Created between 27 December 1749 and 8 January 1750, this pen and ink composition is a true masterpiece. Held in a private collection, it is the only known example of incidental music composed by Handel. Although not performed for its intended purpose, this remarkable score found new life when it was used for Handel's Oratorio The Choice of Hercules on 1 March 1751. Its significance cannot be understated as it represents a pivotal moment in musical history. The facsimile displayed here is from Facsimiles of Royal, Historical & Literary Autographs in the Department of Manuscripts at the British Museum. Printed for the Trustees in 1898, it offers us an opportunity to appreciate Handel's intricate handwriting and composition skills. Every stroke on this sheet speaks volumes about Handel's genius as he meticulously crafted each note with precision and passion. The symphony itself exudes power and grandeur, perfectly capturing Alcides' entrance into Smollett's play. As we delve into this image, we are transported back to a time when music had the ability to move souls and ignite emotions within audiences. It serves as a testament to Handel's enduring legacy as one of history's greatest composers.

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