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Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster)

Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster)


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Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster)

1217265 Bust of Thomas Phillips, RA (1770-1845), 1821 (plaster) by Chantrey, Francis Legatt (1781-1841); 63.1x34x28 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Media ID 23386910

© Ashmolean Museum / Bridgeman Images

Westernart Thomas Phillips


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> Arts > Artists > C > Francis Legatt Chantrey

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> Fine Art Finder > Artists > Francis Legatt Chantrey

> Fine Art Finder > Artists > Mortimer Ludington Menpes

> Fine Art Finder > Sculpture 19th/later 20th C


EDITORS COMMENTS
This photograph showcases a remarkable plaster sculpture known as the "Bust of Thomas Phillips, RA (1770-1845), 1821". Created by the talented artist Francis Legatt Chantrey, this masterpiece stands at an impressive size of 63.1x34x28 cm and is housed in the prestigious Ashmolean Museum at the University of Oxford, UK. The bust portrays the distinguished figure of Thomas Phillips, a renowned English painter who made significant contributions to Western art during his lifetime. With meticulous attention to detail, Chantrey skillfully captures every nuance of Phillips' facial features, conveying both his intellectual prowess and artistic sensibilities. The photograph beautifully highlights the intricate craftsmanship that went into creating this sculpture. The play between light and shadow accentuates the contours of Phillips' face, bringing it to life with a sense of depth and realism. It is evident that Chantrey's mastery lies not only in sculpting but also in capturing human emotion through his work. As we gaze upon this striking image, we are transported back in time to witness a moment frozen forever in plaster. The bust serves as a testament to both Thomas Phillips' legacy as an influential artist and Francis Legatt Chantrey's exceptional talent as a sculptor. This print from Fine Art Finder allows us to appreciate their artistic brilliance while reminding us of the enduring power that portraiture holds within the realm of art history.

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