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The War Candidate on a Peace Platform, 1864 (wood engraving)
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The War Candidate on a Peace Platform, 1864 (wood engraving)
1078636 The War Candidate on a Peace Platform, 1864 (wood engraving) by American School, (19th century); Collection of the New-York Historical Society, USA; (add.info.: showing presidential candidate George McClellan, seated backwards on the Democratic Donkey.); eNew York Historical Society; American, out of copyright
Media ID 22212504
© New York Historical Society / Bridgeman Images
Backwards Candidate Civil War Democratic Election Mcclellan Peace Platform President Presidential George Mcclellan
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The War Candidate on a Peace Platform, 1864 - A Satirical Snapshot of American Politics
EDITORS COMMENTS
. This wood engraving from the 19th century captures a pivotal moment in American history. Depicting presidential candidate George McClellan seated backwards on the Democratic Donkey, it offers a satirical commentary on the political landscape of its time. The image is rich with symbolism and irony. McClellan, known as "The War Candidate" is shown sitting on a peace platform, highlighting the contradictions within his campaign. The donkey, representing the Democratic Party, serves as both an emblem of strength and stubbornness. In this clever cartoon-like portrayal, we witness the artist's skillful use of satire to critique McClellan's candidacy during a period marked by civil war in America. The backward-facing position suggests hesitancy or reluctance towards decisive action—a criticism often leveled against McClellan's military leadership during his service in the Union Army. As we delve into this historical artifact curated by the New-York Historical Society, we are reminded of how politics has always been ripe for caricature and humor. This print not only reflects upon one man's bid for presidency but also speaks to broader themes such as power struggles and conflicting ideologies that shape our nation. With its intricate details and thought-provoking composition, this wood engraving invites us to reflect upon past elections while drawing parallels to contemporary political discourse. It stands as a testament to art's ability to capture moments in
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