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The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving)

The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving)


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The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving)

XJF867790 The Analyst Besh-n in his own Taste, print by Paul Sandy, 1735 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1988, U.5); English, out of copyright

Media ID 12940733

© www.bridgemanart.com

Academy Aesthetics Analysis Burlesque Chained Critical Criticism Enslaved Grotesque Perspective Pretension Scholar Taste Theory William Hogarth Joshua Kirby Palate


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The Analyst Besh-n in his own Taste

EDITORS COMMENTS
is a captivating print by Paul Sandy, created in 1735. This engraving, part of the Private Collection, showcases the unique and satirical style of the English School from the 18th century. The artwork portrays an intriguing scene that combines elements of art, academia, and humor. A scholar, known as The Analyst Besh-n, is depicted with a pug dog by his side. Chained to a bookshelf and surrounded by various artistic tools, he appears both absorbed in his work and enslaved by it. The print explores themes of aesthetics and taste through its caricature-like portrayal. The scholar's pretentiousness is highlighted through exaggerated features such as a grotesque face and an overly critical expression. This burlesque representation satirizes the analysis of beauty theory prevalent during that time. Paul Sandy's skillful use of line creates a dynamic composition that draws attention to specific details within the artwork. The chained pug symbolizes both loyalty and restriction while adding an element of whimsy to the overall image. "The Analyst Besh-n in his own Taste" serves as a testament to William Hogarth's influence on Georgian London's art scene. It invites viewers to reflect on notions of taste and criticism while providing entertainment through its clever satire. This historical engraving offers us insight into 18th-century England's artistic climate while reminding us not to take ourselves too seriously when analyzing beauty or indulging in scholarly pursuits.

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