Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Philip Webb

Philip Webb Collection

Choose a picture from our Philip Webb Collection for your Wall Art and Photo Gifts

30 items

Background imagePhilip Webb Collection: The Holy Spirit, detail from the Creation Window, 1861 (stained glass) (detail of 120153)

The Holy Spirit, detail from the Creation Window, 1861 (stained glass) (detail of 120153)
MOK120173 The Holy Spirit, detail from the Creation Window, 1861 (stained glass) (detail of 120153) by Webb, Philip (1831-1915); All Saints Church, Selsley, Gloucestershire

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso & brass)

Settle, c.1800-85 (oak, gilded gesso & brass)
7443711 Settle, c.1800-85 (oak, gilded gesso & brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: Three mermaids, 1879 (oil on canvas)

Three mermaids, 1879 (oil on canvas)
7487575 Three mermaids, 1879 (oil on canvas) by Thoma, Hans (1839-1924); 106x77.6 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Hans Thoma)

Background imagePhilip Webb Collection: South rose window (stained glass)

South rose window (stained glass)
PC341625 South rose window (stained glass) by French School, (16th century); Cathedral of St. Etienne, Sens, France; French, out of copyright

Background imagePhilip Webb Collection: Plans for the Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)

Plans for the Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)
WMA172921 Plans for the Red House, Bexley Heath, 1859 (pen and ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; (add.info)

Background imagePhilip Webb Collection: Scenes from the war between Japan and Korea, end of 18th-first half of 19th century

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603816 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso & brass)

Settle, c.1800-85 (oak, gilded gesso & brass)
7443708 Settle, c.1800-85 (oak, gilded gesso & brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso, & brass)

Settle, c.1800-85 (oak, gilded gesso, & brass)
7443707 Settle, c.1800-85 (oak, gilded gesso, & brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: Entry of the Gods Into Valhalla, 1880 (oil on canvas)

Entry of the Gods Into Valhalla, 1880 (oil on canvas)
7487545 Entry of the Gods Into Valhalla, 1880 (oil on canvas) by Thoma, Hans (1839-1924); 74, 3x62 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: by Hans Thoma)

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso, brass)

Settle, c.1800-85 (oak, gilded gesso, brass)
7443712 Settle, c.1800-85 (oak, gilded gesso, brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c

A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c. 1668-70 (oil on canvas)
7443783 A Goldsmith Melting Down a Woman's Jewellery in the Presence of a Notary: The Alchemist, c. 1668-70 (oil on canvas) by Steen, Jan Havicksz

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso & brass)

Settle, c.1800-85 (oak, gilded gesso & brass)
7443709 Settle, c.1800-85 (oak, gilded gesso & brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: Settle, c.1800-85 (oak, gilded gesso & brass)

Settle, c.1800-85 (oak, gilded gesso & brass)
7443710 Settle, c.1800-85 (oak, gilded gesso & brass) by Webb, Philip (1831-1915); 208.9 -- 198.1 -- 60.9 cm; Minneapolis Institute of Arts, MN

Background imagePhilip Webb Collection: Angels Climbing and Descending, Detail of Jacobs Ladder (stained glass

Angels Climbing and Descending, Detail of Jacobs Ladder (stained glass
MOK120161 Angels Climbing and Descending, Detail of Jacobs Ladder (stained glass) (detail of 120160) by Burne-Jones, Edward Coley (1833-98); St

Background imagePhilip Webb Collection: Adam Naming the Beasts, detail from the Creation Window

Adam Naming the Beasts, detail from the Creation Window
MOK120151 Adam Naming the Beasts, detail from the Creation Window, 1861 (stained glass) (detail of 120153) by Webb, Philip (1831-1915); All Saints Church, Selsley, Gloucestershire

Background imagePhilip Webb Collection: Tennis Racquets and Billiard Cues, from the Encyclopedia

Tennis Racquets and Billiard Cues, from the Encyclopedia
STC172925 Tennis Racquets and Billiard Cues, from the Encyclopedia by Denis Diderot (1713-84), engraved by Robert Benard (b.1734), published c.1770 (engraving) by Lucotte

Background imagePhilip Webb Collection: Arabian Windows, In Campo Santa Maria Mater Domini, from

Arabian Windows, In Campo Santa Maria Mater Domini, from
STC156461 Arabian Windows, In Campo Santa Maria Mater Domini, from Examples of the Architecture of Venice by John Ruskin, aquatint by Thomas Lupton, 1851 (aquatint) by Ruskin

Background imagePhilip Webb Collection: Elevations for The Red House, Bexley Heath (pen and ink and w / c on paper)

Elevations for The Red House, Bexley Heath (pen and ink and w / c on paper)
STC156435 Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; (add.info)

Background imagePhilip Webb Collection: 13th century tile designs, illustration from Specimens of Tile Pavements

13th century tile designs, illustration from Specimens of Tile Pavements
STC156440 13th century tile designs, illustration from Specimens of Tile Pavements, Drawn from Existing Authorities, by Henry Shaw, 1858 (colour litho) by English School

Background imagePhilip Webb Collection: Plans and elevations for The Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)

Plans and elevations for The Red House, Bexley Heath, 1859 (pen and ink and w / c on paper)
STC156434 Plans and elevations for The Red House, Bexley Heath, 1859 (pen and ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; (add.info)

Background imagePhilip Webb Collection: Spinning Yarn

Spinning Yarn
WH48323 Spinning Yarn by Ernst, Rudolphe (1854-1932); Private Collection; Photo eWhitford & Hughes, London, UK; German, out of copyright

Background imagePhilip Webb Collection: Detail of Christ Blessing the Children, 1861 (stained glass) (detail of 150156)

Detail of Christ Blessing the Children, 1861 (stained glass) (detail of 150156)
MOK120157 Detail of Christ Blessing the Children, 1861 (stained glass) (detail of 150156) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Selsley, Gloucestershire

Background imagePhilip Webb Collection: Birds and Fishes, detail from the Creation Window, 1861 (stained glass) (see 120153)

Birds and Fishes, detail from the Creation Window, 1861 (stained glass) (see 120153)
MOK120152 Birds and Fishes, detail from the Creation Window, 1861 (stained glass) (see 120153) by Webb, Philip (1831-1915); All Saints Church, Selsley, Gloucestershire

Background imagePhilip Webb Collection: First interview with the native women at Port Jackson, New South Wales, 1788 (w / c)

First interview with the native women at Port Jackson, New South Wales, 1788 (w / c)
NSW71242 First interview with the native women at Port Jackson, New South Wales, 1788 (w/c) by Bradley, William (1757-1833); Mitchell Library, State Library of New South Wales; Mitchell Library

Background imagePhilip Webb Collection: Design for Joldwyns, Surrey, 1872 (pen & ink and w / c on paper)

Design for Joldwyns, Surrey, 1872 (pen & ink and w / c on paper)
STC156437 Design for Joldwyns, Surrey, 1872 (pen & ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; The Stapleton Collection; English, out of copyright

Background imagePhilip Webb Collection: Plans for the Red House, Bexley Heath (pen and ink and w / c on paper)

Plans for the Red House, Bexley Heath (pen and ink and w / c on paper)
STC156436 Plans for the Red House, Bexley Heath (pen and ink and w/c on paper) by Webb, Philip (1831-1915); Private Collection; (add.info)

Background imagePhilip Webb Collection: Reconstruction of the Second Theatre at Laodicea, c. 1750

Reconstruction of the Second Theatre at Laodicea, c. 1750
XYC156451 Reconstruction of the Second Theatre at Laodicea, c.1750 (pen and ink and wash over graphite on laid paper) by Borra

Background imagePhilip Webb Collection: Symbols of the Evangelists, designs for stained glass (ink on paper)

Symbols of the Evangelists, designs for stained glass (ink on paper)
STC156429 Symbols of the Evangelists, designs for stained glass (ink on paper) by Webb, Philip (1831-1915); Private Collection; (add.info.: Matthew, Mark, Luke and John; angel, winged lion)

Background imagePhilip Webb Collection: The Galaxy, detail from the Creation Window, 1861 (stained glass) (detail of 120153)

The Galaxy, detail from the Creation Window, 1861 (stained glass) (detail of 120153)
MOK120178 The Galaxy, detail from the Creation Window, 1861 (stained glass) (detail of 120153) by English School, (19th century); All Saints Church, Selsley, Gloucestershire

Background imagePhilip Webb Collection: Rose window (stained glass)

Rose window (stained glass)
PC341624 Rose window (stained glass) by Webb, Philip (1831-1915); All Saints Church, Selsley, Gloucestershire, UK; (add.info.: window depicts the Spirit, Adam with the animals)


All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site