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St Catherine of Alexandria, c. 1443-1468 (tempera and gilding on panel)

St Catherine of Alexandria, c. 1443-1468 (tempera and gilding on panel)


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St Catherine of Alexandria, c. 1443-1468 (tempera and gilding on panel)

1216744 St Catherine of Alexandria, c.1443-1468 (tempera and gilding on panel) by Franceschi, Francesco de (fl.1445-56); 92x35.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Media ID 23386812

© Ashmolean Museum / Bridgeman Images

Alexandria Catherine Martyrdom Palm Westernart Wheel Martyr


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EDITORS COMMENTS
This print showcases the exquisite artwork of "St Catherine of Alexandria" by Francesco de Franceschi. Created between 1443 and 1468, this tempera and gilding on panel piece measures 92x35.5 cm and is currently housed in the Ashmolean Museum at the University of Oxford, UK. The image depicts St Catherine of Alexandria, a prominent figure in Christian history known for her unwavering faith and martyrdom. She stands tall, adorned with a crown symbolizing her royal lineage as well as her spiritual authority. In one hand, she holds a palm branch, representing victory over death and martyrdom. The artist's attention to detail is evident in every brushstroke; from the intricate patterns on Catherine's gown to the delicate gold leaf accents that add an ethereal glow to the composition. The vibrant colors used bring life to this medieval masterpiece. Catherine's story unfolds through visual cues within the painting - most notably, a wheel positioned behind her. This iconic attribute refers to her legendary torture where she was bound to a spiked wheel before ultimately being beheaded for refusing to renounce her faith. Francesco de Franceschi skillfully captures both Catherine's strength and vulnerability in this full-length portrait. It serves as a timeless reminder of devotion and sacrifice that resonates with viewers across generations. As we gaze upon this remarkable artwork captured by Bridgeman Images' lens, we are transported back in time - immersed in an era when art not only adorned walls

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