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The Contest at Auckinleck from Picturesque Beauties of Boswell, Part the Second

The Contest at Auckinleck from Picturesque Beauties of Boswell, Part the Second


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The Contest at Auckinleck from Picturesque Beauties of Boswell, Part the Second

XJF368486 The Contest at Auckinleck from Picturesque Beauties of Boswell, Part the Second, etched by Thomas Rowlandson, 1786 (etching) by Collings, Samuel (fl.1784-95) (after); Private Collection; (add.info.: image shows Dr. Samuel Johnson (1709-84) attacking Alexander Boswell, Lord Auchinleck (1707-82) with books inscribed liturgy, Auchinleck drops two books, Calvin and Whiggism ; James Boswell (1740-95) stands in the doorway biting his thumbs and drops his journal; James Boswell wrote The Life of Samuel Johnson ; image is one in a series of pictures about Boswell and Johnsons journey to Scotland; ); English, out of copyright

Media ID 12868446

© www.bridgemanart.com

Biographer Brother Brothers Debate Regency


The Contest at Auckinleck - A Battle of Words and Books

EDITORS COMMENTS
. In this etching from 1786, we witness a dramatic scene unfold between two prominent figures of the 18th century literary world. Dr. Samuel Johnson, renowned for his wit and intellect, is depicted launching a fierce attack on Alexander Boswell, Lord Auchinleck. With books inscribed with the words "liturgy". Auchinleck's beliefs are being challenged by Johnson's formidable arguments. The intensity of the moment is palpable as Auchinleck drops two books in response to Johnson's assault - one representing Calvinism and the other symbolizing Whiggism. Meanwhile, James Boswell, son of Auchinleck and famous biographer of Samuel Johnson himself, stands in the doorway biting his thumbs anxiously while dropping his journal. This powerful image not only captures a physical altercation but also represents a clash of ideologies and political debates that were prevalent during this era. It serves as a satirical commentary on the complexities of intellectual discourse and highlights the tensions between brothers who found themselves on opposite sides of these debates. Part of an exquisite series depicting Boswell and Johnson's journey through Scotland, this print showcases Thomas Rowlandson's masterful etching skills alongside Samuel Collings' artistic vision. As we gaze upon this artwork today, it reminds us not only of their fascinating story but also invites contemplation about how ideas can shape history itself.

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