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Penkridge Church - Double-Deck tomb of Sir Edward Littletons: sepia drawing
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Penkridge Church - Double-Deck tomb of Sir Edward Littletons: sepia drawing
5898151 Penkridge Church - Double-Deck tomb of Sir Edward Littletons: sepia drawing, 1841 (drawing) by Buckler, John Chessell (1793-1894); 22.9x30.5 cm; (add.info.: Monument at the East end of the Chancel of Penkridge Church, Staffordshire, showing a double-deck tomb of one to two Sir Edward Littletons (1630). The top part shows effigies of eight children, the bottom of 14 children. Showing part of an Early English clustered pillar, on the right.); eWilliam Salt Library; English, out of copyright
Media ID 23570910
© William Salt Library / Bridgeman Images
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EDITORS COMMENTS
This sepia drawing, titled "Penkridge Church - Double-Deck tomb of Sir Edward Littletons" takes us back to the year 1841. Created by the talented artist John Chessell Buckler, this print measures 22.9x30.5 cm and showcases a remarkable monument at the East end of Penkridge Church in Staffordshire. The focal point of this intricate artwork is undoubtedly the double-deck tomb dedicated to Sir Edward Littletons, dating back to 1630. The upper part of the tomb features beautifully carved effigies depicting eight children, while the lower section displays an astonishing fourteen children. This artistic representation not only highlights Sir Edward's lineage but also serves as a poignant reminder of his family's legacy. As we explore further into this masterpiece, our attention is drawn towards an Early English clustered pillar on the right side. Its presence adds depth and architectural interest to the composition, enhancing our appreciation for both historical and artistic elements within Penkridge Church. Preserved within eWilliam Salt Library and made available through Bridgeman Images, this print captures a moment frozen in time – a testament to Buckler's skillful hand and meticulous attention to detail. It allows us to immerse ourselves in history while marveling at the beauty that lies within sacred spaces such as chapels and churches. With its rich sepia tones evoking nostalgia from centuries past, this drawing invites viewers on an enchanting journey through time – one where art intertwines with history seamlessly
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