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Spring, 1897 (metal and w/c on vellum)

Spring, 1897 (metal and w / c on vellum)


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Spring, 1897 (metal and w/c on vellum)

GLS314115 Spring, 1897 (metal and w/c on vellum) by Macdonald, Frances (1874-1921); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Media ID 32191454

© © CSG CIC Glasgow Museums Collection / Bridgeman Images

Allegoric Allegories Allergoric Alllegorical Figure Bare Frame Personification Allegorical Semi Nude


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> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow

> Fine Art Finder > Artists > Frances Macdonald

> Fine Art Finder > Artists > Tang Dynasty Chinese School

> Fine Art Finder > Metalwork


Spring, 1897 (metal and w/c on vellum)

EDITORS COMMENTS
is a captivating artwork by Frances Macdonald that transports viewers to the enchanting beauty of the late 19th century. This exquisite piece, housed in the Art Gallery and Museum at Kelvingrove in Glasgow, Scotland, showcases Macdonald's exceptional talent and creativity. The painting depicts an allegorical figure representing Spring, delicately crafted with metal and watercolor on vellum. The artist skillfully captures the essence of this season through intricate details and vibrant colors. The figure stands bare amidst a lush landscape, symbolizing renewal and growth. Macdonald's portrayal of Spring exudes grace and elegance as she embraces her nudity with confidence. Her semi-nude form represents vulnerability yet celebrates the natural beauty of the female body. Through this representation, Macdonald invites viewers to appreciate both physicality and femininity. The artwork's frame complements its subject matter perfectly, enhancing its overall aesthetic appeal. With every brushstroke meticulously placed on vellum, "Spring, 1897" becomes a timeless masterpiece that embodies the spirit of its era. This remarkable piece personifies Spring as a powerful force that breathes life into nature after winter's slumber. It serves as a reminder of our connection to seasons' cyclical rhythm—a celebration of new beginnings. As we admire "Spring, 1897" we are transported back to an era where artistry flourished alongside nature's bounty—where allegories

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