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Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized
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Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized
1216675 Studies for Tobias and the Angel (silverpoint, heightened with white bodycolour (oxidized) on a pale cream paper) by Perugino, Pietro (c.1445-1523); 238x183 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright
Media ID 23386774
© Ashmolean Museum / Bridgeman Images
15th Accompanying Pietro Vannucci Studies Tobias Westernart Silverpoint
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This print showcases "Studies for Tobias and the Angel" by Pietro Perugino, a renowned Italian Renaissance artist. The artwork, created using silverpoint and heightened with white bodycolor on pale cream paper, measures an impressive 238x183 cm and is housed in the prestigious Ashmolean Museum at the University of Oxford. In this exquisite composition, Perugino masterfully captures the essence of his subjects - a young boy named Tobias accompanied by an angelic figure. Through delicate lines and meticulous shading, he brings to life their expressions and gestures with remarkable precision. The study reveals Perugino's exceptional skill in capturing human anatomy as well as his ability to convey emotion through art. Every stroke of silverpoint creates intricate details that draw viewers into this enchanting scene from the 15th century. As we gaze upon this remarkable work, we are transported back in time to witness a moment filled with wonder and divine intervention. The angel's presence exudes serenity while guiding young Tobias on his journey. It is a testament to Perugino's artistic genius that even centuries later, these figures continue to captivate our imagination. This print allows us to appreciate not only the beauty of Perugino's original masterpiece but also its historical significance within Western art. It serves as a reminder of how art can transcend time and connect us with past civilizations while evoking emotions that resonate deeply within us all.
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