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St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground)

St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground)


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St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground)

1217707 St Jerome, 1521 (black chalk with finely hatched brushwork and blue ground) by Leyden, Lucas van (c.1494-1533); 37.6x28.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Saint Jerome (c.347-420) Doctor of the Church and translator of the bible into Latin); eAshmolean Museum; Netherlandish, out of copyright

Media ID 23085078

© Ashmolean Museum / Bridgeman Images

Cardinal Crucifix Hermit Memento Mori Skull Westernart Bearded Northern Renaissance


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> Animals > Birds > Passerines > Cardinals And Grosbeaks > Northern Cardinal

> Arts > Artists > G > Thomas Gainsborough

> Arts > Artists > L > Lucas van Leyden

> Fine Art Finder > Artists > Lucas van Leyden

> Fine Art Finder > Artists > Thomas Gainsborough

> Fine Art Finder > Saints


EDITORS COMMENTS
This print showcases Lucas van Leyden's masterpiece, "St Jerome, 1521". The artwork, created using black chalk with finely hatched brushwork and a striking blue ground, measures 37.6x28.1 cm and is proudly displayed at the Ashmolean Museum in the University of Oxford. The subject of this remarkable piece is Saint Jerome (c. 347-420), an esteemed Doctor of the Church renowned for his translation of the Bible into Latin. In this portrayal, St Jerome appears as a cardinal figure with a distinguished beard and wearing a hat that adds to his scholarly aura. The artist skillfully captures St Jerome's contemplative nature by including symbolic elements such as a skull and crucifix in the composition. These serve as reminders of mortality (memento mori) and reflect on themes central to Western religious art. Leyden's meticulous attention to detail shines through in every stroke, exemplifying the finesse characteristic of Northern Renaissance art. The intricate hatching technique employed here enhances texture and depth while adding an ethereal quality to the overall image. This print allows viewers to appreciate Leyden's mastery firsthand, offering an opportunity to delve into Christian iconography within Netherlandish art history. It serves as both a visual feast for admirers of fine art and an educational tool for those interested in exploring religious symbolism throughout different periods in Western culture.

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