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Brinkburn Grange and the Ruins of Brinkburn Priory, 1834 (oil on canvas)
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Brinkburn Grange and the Ruins of Brinkburn Priory, 1834 (oil on canvas)
TW427088 Brinkburn Grange and the Ruins of Brinkburn Priory, 1834 (oil on canvas) by Carmichael, John Wilson (1800-68); 47x71.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Brinkburn Priory in Northumberland was built in the 12th century. This picture shows the ruins of the Priory before the roof was restored in 1858 by the Hodgson-Cadogan family, who owned the property. The house alongside was designed by the North East architect John Dobson for the Hodgson-Cadogans. It was built between 1830 and 1837 in Dobsons manor house style to blend in with the ancient ruins nearby. John Wilson Carmichael painted several pictures of houses designed by his friend John Dobson; ); eTyne & Wear Archives & Museums; English, out of copyright
Media ID 23182530
© Tyne & Wear Archives & Museums / Bridgeman Images
English Landscape Manor House Manor Houses Mansions
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Brinkburn Grange and the Ruins of Brinkburn Priory, 1834
EDITORS COMMENTS
. This oil painting by John Wilson Carmichael takes us back to the enchanting landscape of Northumberland in the 19th century. The focal point is the majestic ruins of Brinkburn Priory, a medieval monastery that stood tall since its construction in the 12th century. Before its restoration in 1858, this painting captures the priory's dilapidated state with its missing roof and crumbling walls. Adjacent to the ruins stands Brinkburn Grange, an exquisite manor house designed by renowned architect John Dobson. Built between 1830 and 1837, Dobson skillfully crafted it in a style reminiscent of ancient manor houses to harmoniously blend with its historic surroundings. The composition showcases a picturesque scene: a tranquil river flowing gently beside these architectural wonders. The lush English countryside frames this idyllic setting, enhancing its serene beauty. Carmichael's attention to detail brings life to every brushstroke as he expertly captures light and shadow dancing across each surface. This artwork exemplifies Carmichael's close friendship with Dobson as he frequently painted houses designed by his talented companion. It serves as both a historical record and an artistic tribute to Northumberland's rich heritage. Displayed at Newcastle-upon-Tyne's Laing Art Gallery today, this print allows us to appreciate not only Carmichael's mastery but also England's timeless charm captured within this remarkable piece of
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