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THE TWO KINGS OF TERROR, 1813 (engraving)
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THE TWO KINGS OF TERROR, 1813 (engraving)
7262215 THE TWO KINGS OF TERROR, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TWO KINGS OF TERROR, by Rowlandson published by Ackermann 1813 cat: 12093 copy of the transparency exhibited at Ackermanns depository of Arts during the illuminations of the 5th - 6th of November 1813. in honour of the splendid victories obtained by the ALLIES over the ARMIES of FRANCE at Leipzig and its environs.News of Leipzig, the battle of the Nations, 16-18 Oct. reached London on 2 Nov. ( Extraordinary Gazette ); the town was illuminated on 5 and 6 Nov.)
Media ID 25301683
© Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Army And Navy Batlefield Battlefiled Bonaparte Bonaparte 1769 1821 Bonaparte Family Cannons Canons Czar Czarist Damage Defeat Defeated Defeats Demolish Demolition Destrruction Destructed Destructuion Emperor Napoleon I Emperors First French Empire 1804 1815 Flgas Forlorn Ier Empire Imperials Leipzig Melancholia Melancholy Military Uniforms Napoleon 1st Napoleon Empereur Napoleon I Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Napoleon I Of France Napoleon Ist Napoleon Ist Of France Queens Sceptre Royal Sceptre Sat Down Sceptre Site Of Battle Skeleton Symbole Symbolical Representation Symbolised Symbolising Symbology Tsarina Unhappiness Unhappy Allegorical Battle Field C European Economic Community C European Union Combat Troops Conscripts Deaths Defensive Weapon Emotions Empress Feeling Female Soldiers Infantry Weapon Mortality Navy Soldier Navy Soldiers Passed Away Sadness Soldier Troop Symbolic Symbols War Scene War Zone
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The Two Kings of Terror, 1813
EDITORS COMMENTS
is a captivating engraving by Thomas Rowlandson that captures the essence of fear and destruction during the Battle of Leipzig in 1813. This satirical drawing depicts an allegorical representation of two powerful figures, symbolizing Napoleon Bonaparte and his empire, facing defeat at the hands of the Allies. The scene is filled with elements that evoke sadness and despair. The battlefield is strewn with cannons and flags, remnants of a fierce battle fought between armies from France and Germany. In the midst of this chaos, a skeleton sits upon a throne, representing death itself. Clutching a scepter tightly in its bony hand, it signifies the inevitable downfall awaiting those who seek power through war. The composition exudes symbolism as well as historical significance. The print was created to commemorate the victories achieved by the Allies over French forces at Leipzig. It served as a visual reminder for viewers about these triumphs during London's illuminations on November 5th-6th, 1813. Rowlandson's meticulous attention to detail brings this engraving to life. From military uniforms to facial expressions reflecting defeat and sorrow, every element contributes to conveying the emotions felt during this tumultuous period in European history. "The Two Kings of Terror" serves not only as an artistic masterpiece but also as a poignant reminder of the consequences brought about by ambition and warfare. Through its intricate imagery and historical context, this print continues to captivate audiences today with its portrayal of human folly amidst conflict.
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