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Two lovers in a parlour disturbed by prying maids
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Two lovers in a parlour disturbed by prying maids
5893733 Two lovers in a parlour disturbed by prying maids. by Rowlandson, Thomas (1756-1827); (add.info.: Two lovers in a parlour disturbed by prying maids moving glasses in a cupboard. Miseries Domestic. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.); © Florilegius
Media ID 22562296
© Florilegius / Bridgeman Images
Ackermann Cupboard Curiosity Etching Flirting Glasses Inquisitive Maids Miseries Of Human Life Nosy Observer Parlour Reverend James Beresford Servants Thomas Rowlandson Lovers Prying Regency
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In this print by Thomas Rowlandson, titled "Two lovers in a parlour disturbed by prying maids" we are transported to a scene of clandestine romance and mischievous interruption. Set in the elegant confines of a Georgian parlour, two young lovers find themselves caught in the crosshairs of nosy maids who cannot resist their curiosity. As the couple engages in flirtatious banter, their stolen moments together are abruptly interrupted by the prying eyes and wandering hands of these meddling servants. With glasses being moved around in a cupboard nearby, it is clear that no corner is safe from their intrusive nature. Rowlandson's handcoloured copperplate engraving beautifully captures both the charm and satire inherent within domestic life during this era. The illustration serves as an amusing commentary on human relationships and the challenges faced when trying to maintain privacy amidst curious observers. This artwork was created as part of Reverend James Beresford's "Miseries of Human Life" series, which aimed to highlight various aspects of daily existence through witty caricatures. Rowlandson's talent for capturing emotion and detail shines through in this piece, showcasing his mastery as an artist. With its playful depiction of love, mischief, and social dynamics, this print continues to captivate viewers today. It serves as a reminder that even centuries later, matters of the heart can still be subject to scrutiny and interference – whether from prying maids or our own modern-day distractions.
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