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Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537 (oil on wood)

Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537 (oil on wood)


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Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537 (oil on wood)

3746304 Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family, 1537 (oil on wood) by French School, (16th century); 176.5x192.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: by Master of the Dinteville Allegory (Netherlandish or French)
In this large allegorical family portrait the Dinteville brothers act out Exodus 7:9. Pleading with Pharaoh to free the Israelites, Aaron (FranAzois II de Dinteville) transforms his rod into a serpent, proving that God is with him. Jean de Dinteville is shown as Moses, while Gaucher and Guillaume stand behind them. The brothers were important members of the court of Francis I and this hung in the family chAteau of Polisy with Jean in Holbeins Ambassadors ); French, out of copyright

Media ID 22543448

© Bridgeman Images

Brothers Diplomat Exodus Francis I Francois Guillaume Israelite Jean Moses Pharaoh Symbolism Dinteville Gaucher


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> Arts > Artists > C > Jean de Court

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> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print showcases the masterpiece "Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family" painted in 1537 by an anonymous French School artist, possibly known as the Master of the Dinteville Allegory. The artwork, measuring 176.5x192.7 cm, is housed in the prestigious Metropolitan Museum of Art in New York City. In this grand allegorical family portrait, we witness a dramatic scene inspired by Exodus 7:9 from the Bible. Aaron, portrayed as François II de Dinteville, pleads with Pharaoh to release the Israelites from captivity while demonstrating his divine connection through a miraculous transformation of his rod into a serpent. Jean de Dinteville takes on the role of Moses in this symbolic tableau, with Gaucher and Guillaume standing steadfastly behind them. The Dinteville brothers were esteemed members of Francis I's court during the Renaissance period and held significant diplomatic roles. This remarkable painting once adorned their ancestral château at Polisy alongside Hans Holbein's famous work "The Ambassadors" featuring Jean de Dinteville himself. With its intricate symbolism and religious undertones, this artwork beautifully captures themes such as royalty, biblical narratives, and familial bonds within its composition. It serves as a testament to both artistic skill and historical significance that continues to captivate viewers today.

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