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Six Stages of Making a Face, printed by S. W. Fores, 1792 (etching)
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Six Stages of Making a Face, printed by S. W. Fores, 1792 (etching)
XJF425328 Six Stages of Making a Face, printed by S.W. Fores, 1792 (etching) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: Six stages of making a face, dedicated with respect to the Right Honourable Lady Archer; ); English, out of copyright
Media ID 12805087
© www.bridgemanart.com
Contrast Cosmetic Cosmetics Deception Fake False Teeth Makeup Superficial Transformation Vain Vanity False Eye French Revolution
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This etching, titled "Six Stages of Making a Face" takes us back to the year 1792 and offers a satirical glimpse into the world of beauty and vanity during that era. Created by Thomas Rowlandson, this print was dedicated to Lady Archer, showcasing the artist's wit and talent for caricature. In this artwork, we witness a transformation unfold in six stages. Each stage represents an aspect of artificial enhancement that people employed to achieve their desired appearance. From wigs and makeup to false eyes and teeth, every element is meticulously depicted with intricate detail. The context of the French Revolution adds another layer of meaning to this piece. It subtly criticizes society's obsession with superficiality amidst such tumultuous times. The contrast between political turmoil and personal deception highlights how appearances can be deceiving. While focusing on a lady's face as its subject matter, this print comments on broader themes related to beauty standards and societal expectations placed upon women. It challenges notions of authenticity by exposing the lengths individuals would go through in pursuit of perceived perfection. Rowlandson's masterful technique shines through in his ability to capture both humor and critique within one image. This timeless artwork continues to resonate today as it invites viewers to reflect on our own relationship with beauty ideals while appreciating the skillful artistry behind it all.
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