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Eneide de Virgil (70 BC-19 BC), Book IV, the Trojan heros Enee abandons Didon who
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Eneide de Virgil (70 BC-19 BC), Book IV, the Trojan heros Enee abandons Didon who
GIA4793903 Eneide de Virgil (70 BC-19 BC), Book IV, the Trojan heros Enee abandons Didon who desperate suicide. Engraving after a painting by Pompeo Batoni (1708-1787) by Batoni, Pompeo Girolamo (1708-87) (after); Private Collection; (add.info.: Eneide de Virgil (70 BC-19 BC), Book IV, the Trojan heros Enee abandons Didon who desperate suicide. Engraving after a painting by Pompeo Batoni (1708-1787)); eGiancarlo Costa; Italian, out of copyright
Media ID 22828020
© Giancarlo Costa / Bridgeman Images
Heroism Imaginary Character Troy Virgil 70 19 Mythological Character Sadness
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EDITORS COMMENTS
This print captures a poignant moment from Virgil's epic poem, "Eneide de Virgil". In Book IV, the Trojan hero Enee is depicted abandoning his lover Didon, who ultimately meets a desperate fate. The engraving beautifully translates Pompeo Batoni's painting into a timeless piece of art. The image portrays the heart-wrenching scene where Enee turns away from Didon as she contemplates her tragic suicide. The artist skillfully conveys the depth of emotions through intricate details and masterful brushstrokes. As we gaze upon this print, we are transported to ancient times and immersed in the realm of mythology. The composition evokes an overwhelming sense of sadness and human vulnerability. It explores themes of love, loss, and the complexities of relationships. Through this visual narrative, we witness both the strength and weakness inherent in our own humanity. Batoni's work not only pays homage to Virgil's literary masterpiece but also showcases his own artistic prowess. His attention to detail brings each character to life with remarkable realism. This print serves as a testament to the enduring power of literature and its ability to inspire visual interpretations across different mediums. It invites us to reflect on our own experiences with love and sacrifice while marveling at the beauty that can be found within tragedy.
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