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Renaud fait ses adieux a Armide - sujet tire de La Jerusalem Liberee de Torquato Tasso
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Renaud fait ses adieux a Armide - sujet tire de La Jerusalem Liberee de Torquato Tasso
FIA5404660 Renaud fait ses adieux a Armide - sujet tire de La Jerusalem Liberee de Torquato Tasso dit Le Tasse (1544-1595) - Rinaldos Farewell to Armida par Badalocchio, Sisto (1585-c. 1647). Oil on canvas, 1614, Fondantico di Tiziana Sassoli by Badalocchio, Sisto (1581/5-1647); Fondantico di Tiziana Sassoli, Bologna, Italy; Photo eFine Art Images; Italian, out of copyright
Media ID 22563006
© Fine Art Images / Bridgeman Images
Crusade Jerusalem Magic Passion Separation
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EDITORS COMMENTS
In this print, titled "Renaud fait ses adieux a Armide" we are transported to the world of Torquato Tasso's epic poem, La Jerusalem Liberee. The painting by Sisto Badalocchio depicts the poignant moment when Renaud bids farewell to Armide, his lover and enchantress. The scene is filled with emotion as Renaud, a valiant knight, stands on a boat ready to depart for battle in the Crusades. Armide, torn between her love for Renaud and her magical powers that bind him to her side, gazes longingly at him from the shore. Their separation is palpable as their hands reach out towards each other in desperate longing. Badalocchio masterfully captures the intensity of their passion through his skillful use of color and composition. The warm hues of sunset enveloping the couple symbolize both their burning desire for one another and the impending darkness that looms over their relationship. As we gaze upon this artwork from 17th century Italy, we cannot help but be drawn into its narrative power. It serves as a reminder of the timeless themes explored in literature - love, sacrifice, duty - which continue to resonate with us today. This print transports us not only through time but also into an imaginary realm where knights embark on perilous journeys and magic intertwines with human emotions. It is a testament to both Tasso's literary genius and Badalocchio's artistic prowess that this image continues to
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