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View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C
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View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C
XEE4134580 View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C. Powder store. D. Les Recollets. E. Ursulines. F. The Jesuites. G. The cathedrale. H. The seminar. I. Hotel Dieu. L. General Hospital. Mr. L Eveche. N. Our Lady of Victories. (From a handwritten map of the Marine Depot). Engraving in " La Nature: revue des sciences et de leurs applications aux arts et a l industrie" of 3 September 1892. by Unknown Artist, (19th century); Private Collection; (add.info.: View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C. Powder store. D. Les Recollets. E. Ursulines. F. The Jesuites. G. The cathedrale. H. The seminar. I. Hotel Dieu. L. General Hospital. Mr. L Eveche. N. Our Lady of Victories. (From a handwritten map of the Marine Depot). Engraving in " La Nature: revue des sciences et de leurs applications aux arts et a l industrie" of 3 September 1892.); Stefano Bianchetti; out of copyright
Media ID 22479318
© Stefano Bianchetti / Bridgeman Images
Quebec America Continent Canadians
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EDITORS COMMENTS
This print takes us back to the late 17th century, offering a mesmerizing view of Quebec City in Canada. The intricate details captured by an unknown artist from the 19th century provide a glimpse into the city's rich history and architectural marvels. The image showcases various landmarks that were integral to Quebec City's landscape during this era. From A to N, we can identify significant sites such as Jardin du fort, the fort itself, the powder store, Les Recollets, Ursulines convent, Jesuites residence, cathedrale Notre-Dame de Québec, seminary building, Hotel Dieu hospital, General Hospital Mr. L Eveche (Bishop's Palace), and Our Lady of Victories church. Each structure tells its own story and contributes to the unique charm of Quebec City. The engraving was originally featured in "La Nature: revue des sciences et de leurs applications aux arts et à l'industrie" on September 3rd, 1892. As we gaze upon this remarkable piece of artistry preserved in a private collection today by Stefano Bianchetti for all to admire without any commercial use intentions; we are transported back in time to witness the grandeur and beauty that once graced this historic Canadian city.
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