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Un dejeuner au monastere (A Meal in The Monastery). Dans le riche refectoire d un monastere orthodoxe, les moines sont attables et dejeunent dans l opulence (poisson, fruit, vin), pendant la lecture de la Bible
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Un dejeuner au monastere (A Meal in The Monastery). Dans le riche refectoire d un monastere orthodoxe, les moines sont attables et dejeunent dans l opulence (poisson, fruit, vin), pendant la lecture de la Bible
FIA5376131 Un dejeuner au monastere (A Meal in The Monastery). Dans le riche refectoire d un monastere orthodoxe, les moines sont attables et dejeunent dans l opulence (poisson, fruit, vin), pendant la lecture de la Bible. Des visiteurs dedaigneux sont invites a se joindre au repas, des mendiants assis sur le sol demandent l aumone. Peinture de Vasili (Vassili) Grigoryevich Perov (1834-1882), huile sur toile, 1876. Art russe 19e siecle. State Russian Museum, Saint Petersbourg. by Perov, Vasili Grigorevich (1833-82); State Russian Museum, St. Petersburg, Russia; Photo © Fine Art Images
Media ID 24741916
© Fine Art Images / Bridgeman Images
Beggar Bourgeoisie Canteen Charis Charity Christanity Everyday Life Lunch Misery Monastery Orders Orthodox Priest Orthodox Religion Vice Virtue
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The print titled "Un dejeuner au monastere (A Meal in The Monastery)" captures a scene of opulence and contrast in a rich refectory of an Orthodox monastery. Painted by Vasili Grigoryevich Perov in 1876, this masterpiece showcases the daily life of monks as they dine lavishly on fish, fruits, and wine while simultaneously engaging in the sacred act of reading the Bible. Intriguingly, amidst this display of wealth and spiritual devotion, there are two contrasting elements present. Firstly, disdainful visitors are invited to join the meal, highlighting societal divisions and questioning their commitment to humility. Secondly, beggars seated on the floor humbly ask for alms from those enjoying abundance at the table. This painting is a testament to Perov's skill in capturing not only physical details but also complex social dynamics within Russian society during the 19th century. It serves as a reminder that even within religious institutions where virtue should prevail, vice can still be found. Displayed at the State Russian Museum in Saint Petersburg, this artwork offers viewers a glimpse into everyday life within an Orthodox monastery while raising questions about wealth disparity and acts of charity. Through his brushstrokes and use of color, Perov invites us to reflect upon our own values and actions towards others less fortunate than ourselves.
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