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"Venus disarming Amor"in a medallion surrounded by plants, fruits

'Venus disarming Amor'in a medallion surrounded by plants, fruits


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"Venus disarming Amor"in a medallion surrounded by plants, fruits

5675863 " Venus disarming Amor" in a medallion surrounded by plants, fruits, insects and shellfish, c. 1595 (w/c and bodycolour) by Hoefnagel, Joris (1542-1600); 16.2X21.7 cm; Statens Museum for Kunst, Copenhagen, Denmark; (add.info.: Inscribed " Plus aloes quam mellis habent" (They contain more bitterness than sweetness) meaning earthly love (arrows of Amor/Cupid) ends in pain even if it begins sweetly; a familiar moral lesson at the time. The inscription at bottom, " Quatuor in rerum natura elementa" (the four elements of Nature) explains the flowers and fruits (which symbolise earth), butterflies (air), the other insects (fire), and the lobster (water).); Flemish, out of copyright

Media ID 22767162

© Bridgeman Images

Aphrodite Arrow Arrows Bees Butterflies Creation Cupid Earth Elements Eros Flanders Flemish Lobster Monkey Moral Lesson Netherlandish Northern Pain Sting Stung Suffering Walnut Allegorical Symbolic


FEATURES IN THESE COLLECTIONS

> Animals > Crustaceans > European Lobster

> Animals > Crustaceans > Lobster

> Animals > Insects > Butterflies > Related Images

> Arts > Artists > H > Joris Hoefnagel

> Arts > Fine Art

> Arts > Realistic drawings > Nature art > Botanical artwork

> Europe > Belgium > Paintings

> Europe > Denmark > Copenhagen

> Europe > Denmark > Paintings

> Fine Art Finder > Artists > Joris Hoefnagel

> Fine Art Finder > Artists > Wilhelm von Gloeden


EDITORS COMMENTS
This print showcases the exquisite artwork of Joris Hoefnagel, a Flemish artist from the 16th century. Titled "Venus disarming Amor" this medallion is surrounded by an enchanting array of plants, fruits, insects, and shellfish. The painting measures 16.2X21.7 cm and can be found at the Statens Museum for Kunst in Copenhagen, Denmark. The inscription on the artwork reads "Plus aloes quam mellis habent" which translates to "They contain more bitterness than sweetness". This serves as a reminder that earthly love often begins sweetly but ends in pain, symbolized by the arrows of Amor/Cupid. It was a common moral lesson during that time period. At the bottom of the painting is another inscription: "Quatuor in rerum natura elementa" meaning "the four elements of Nature". This explains why various elements are depicted within the composition - flowers and fruits representing earth, butterflies representing air, other insects representing fire, and a lobster representing water. Hoefnagel's attention to detail is evident through his meticulous portrayal of every element within this piece. From delicate butterflies to vibrant fruits and intricate botanicals, each component adds depth and symbolism to this allegorical masterpiece. This print allows us to appreciate Hoefnagel's talent while also providing insight into Flemish art during that era. It serves as a visual representation of both mythological themes and natural history intertwined seamlessly together.

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