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Coriolanus Addressing the Plebs, satire depicting King George IV confronting politicians advocating for reform, 1820 (engraving)

Coriolanus Addressing the Plebs, satire depicting King George IV confronting politicians advocating for reform, 1820 (engraving)


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Coriolanus Addressing the Plebs, satire depicting King George IV confronting politicians advocating for reform, 1820 (engraving)

7148302 Coriolanus Addressing the Plebs, satire depicting King George IV confronting politicians advocating for reform, 1820 (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info.: Coriolanus Addressing the Plebs, satire depicting King George IV confronting politicians advocating for reform, 1820. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn

Media ID 24707158

© Look and Learn / Bridgeman Images

Demonstrate Demonstration Demonstrations Demonstrator Demonstrators Election Electioneering Elections General Election Marharaja Monarchic Protest Protest Rally Regency 1715 1723 Revolutionary Royalism Shakespeare William 1564 1616 Voter Voters  revolutionary Shakespeare William


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> Arts > Artists > C > George Cruikshank

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> Arts > Artists > W > William White

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EDITORS COMMENTS
This engraving, titled "Coriolanus Addressing the Plebs" offers a satirical depiction of King George IV engaging in a heated confrontation with politicians advocating for reform in 1820. Created by George Cruikshank and featured in Joseph Grego's book "A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria" this artwork provides a fascinating glimpse into political dynamics during the early 19th century. The image portrays a battle-like scene, symbolizing the clash between traditional monarchy and progressive politics. The cartoonish style adds an element of humor to the composition, emphasizing its satirical nature. With exaggerated facial expressions and comical gestures, each character embodies their respective role: King George IV as an authoritative figure defending his royal power against politicians pushing for change. Beyond its comedic value, this print sheds light on important historical themes such as elections, voter engagement, and political activism. It captures the essence of electioneering during that era while highlighting Britain's evolving political landscape. The image also underscores tensions between different factions within society – those who sought to maintain traditional systems versus those advocating for social progress. As we observe this intriguing piece from Bridgeman Images' private collection today, it serves as a reminder of how art can be used to comment on societal issues throughout history. Its enduring relevance lies not only in its artistic merit but also in its ability to provoke thought about power dynamics and political discourse both past and present.

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