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P. 125-1950. pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c

P. 125-1950. pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c


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P. 125-1950. pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c

FIT83193 P.125-1950.pt40 The Fly: plate 40 from Songs of Innocence and of Experience (copy a) c.1815-26 (etching, ink and w/c) by Blake, William (1757-1827); 11.5x7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Media ID 23213006

© Fitzwilliam Museum / Bridgeman Images

Racquet Shuttlecock


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P. 125-1950. pt40 The Fly - A Delicate Dance of Innocence and Experience

EDITORS COMMENTS
. This photo print, titled "P. 125-1950. pt40 The Fly" captures a profound moment from William Blake's renowned collection, Songs of Innocence and of Experience. Created between 1815 and 1826, this etching showcases Blake's exceptional talent in combining various artistic mediums such as ink and watercolor. In this enchanting scene, we witness the delicate balance between innocence and experience through the lens of childhood play. Two children are engrossed in a game of shuttlecock with their mother nearby, watching over them with tender affection. Their youthful energy is palpable as they eagerly swing their racquets to keep the feathered shuttlecock aloft. The true essence lies not only in the physical act but also in the symbolic significance behind it all. As Blake often did within his works, he intertwines poetry with visual art to convey deeper meanings. Through his poetic verses accompanying this image, he explores themes of fleeting joy and inevitable mortality - much like the ephemeral life cycle of a fly. This evocative artwork serves as a reminder that even amidst innocent moments filled with laughter and playfulness, there exists an underlying awareness of life's transience. It invites us to reflect on our own experiences - both joyful and sorrowful - while appreciating the beauty found within each passing moment. Displayed at Fitzwilliam Museum at the University of Cambridge in England, this

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