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William Heath Collection

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126 items

Background imageWilliam Heath Collection: Fall of Velino, 1836 (engraving)

Fall of Velino, 1836 (engraving)
7262278 Fall of Velino, 1836 (engraving) by Unknown Artist, (19th century); 15.5x9.7 cm; Private Collection; (add.info.: Captions Fall des Velino and Aus d. Kunstanst. D. Bibliogr. Instit. In Hildbh)

Background imageWilliam Heath Collection: The Camelopard, or a New Hobby, 1827 (colour engraving)

The Camelopard, or a New Hobby, 1827 (colour engraving)
XCF290991 The Camelopard, or a New Hobby, 1827 (colour engraving) by Heath, William (1795-1840); University Library, Princeton, New Jersey

Background imageWilliam Heath Collection: Our Little Contemptibles, 1914 (oil on canvas)

Our Little Contemptibles, 1914 (oil on canvas)
2975397 Our A Little ContemptiblesA, 1914 (oil on canvas) by Wollen, William Barnes (1857-1936); National Army Museum, London; (add.info.: Composed of regular soldiers and reservists)

Background imageWilliam Heath Collection: Caricature of future travel

Caricature of future travel
3847140 Caricature of future travel by Heath, William (1795-1840); (add.info.: Caricature of future travel March of intellect, 1829 by William Heath (1795-1840)

Background imageWilliam Heath Collection: Niagara Falls 1855 (Oil on canvas)

Niagara Falls 1855 (Oil on canvas)
8766582 Niagara Falls 1855 (Oil on canvas) by Gignoux, Regis Francis (1816-82); 121.3x183.5 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art

Background imageWilliam Heath Collection: March of Intellect. Lord how this World improves as we grow older

March of Intellect. Lord how this World improves as we grow older, 1829 (hand coloured etching on paper)
8681121 March of Intellect. Lord how this World improves as we grow older, 1829 (hand coloured etching on paper) by Heath, William (1795-1840); 28x40 cm; Ironbridge Gorge Museum Trust, Telford

Background imageWilliam Heath Collection: Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)

Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving)
7262236 Flight of Bonaparte from the battle of Krasnoi, 1815 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageWilliam Heath Collection: Nantes, 1834 (engraving)

Nantes, 1834 (engraving)
7262272 Nantes, 1834 (engraving) by Unknown Artist, (19th century); 9.4x14.8 cm; Private Collection; (add.info.: Captions Nantes, Philadelphia: N.A.B.I)

Background imageWilliam Heath Collection: Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageWilliam Heath Collection: Merchant with her account book, 19th century (Engraving)

Merchant with her account book, 19th century (Engraving)
7211563 Merchant with her account book, 19th century (Engraving) by Lami, Eugene-Louis (1800-90); (add.info.: Nineteenth-century trader at her counter with her account book - Engraving by Eugene)

Background imageWilliam Heath Collection: La place du palais, vue depuis l arc de triomphe (The Palace Square)

La place du palais, vue depuis l arc de triomphe (The Palace Square, view from the Arch of the Main Army Headquarter)
FIA5403189 La place du palais, vue depuis l arc de triomphe (The Palace Square, view from the Arch of the Main Army Headquarter).(Saint Petersbourg) Lithographie de Louis Jules Arnout (1814-1868)

Background imageWilliam Heath Collection: Females, Snake Tribe, Driving Horses, c. 1837 (pencil, w / c and gouache on paper)

Females, Snake Tribe, Driving Horses, c. 1837 (pencil, w / c and gouache on paper)
5054741 Females, Snake Tribe, Driving Horses, c.1837 (pencil, w/c and gouache on paper) by Miller, Alfred Jacob (1810-74); 10.8x19.7 cm; Joslyn Museum, Omaha, Nebraska, USA; American, out of copyright

Background imageWilliam Heath Collection: The Flight of Bonaparte from the Battle of Krasnoi by William Heath

The Flight of Bonaparte from the Battle of Krasnoi by William Heath
BRO43304 The Flight of Bonaparte from the Battle of Krasnoi by William Heath, published 1 April 1815 (coloured aquatint); Private Collection; (add.info)

Background imageWilliam Heath Collection: Camp of the Naval Brigade before Sebastopol, 1855 (lithograph)

Camp of the Naval Brigade before Sebastopol, 1855 (lithograph)
3744624 Camp of the Naval Brigade before Sebastopol, 1855 (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info.: Plate 17 of The Seat of War in the East, 1855)

Background imageWilliam Heath Collection: Storming St Sebastian, 1814 (watercolour)

Storming St Sebastian, 1814 (watercolour)
3744621 Storming St Sebastian, 1814 (watercolour) by Heath, William (1795-1840); Private Collection; (add.info.: In the Siege of San SebastiAan (July-September 1813)

Background imageWilliam Heath Collection: Place Louis XV, Paris, September 1815 (w / c on paper)

Place Louis XV, Paris, September 1815 (w / c on paper)
1772202 Place Louis XV, Paris, September 1815 (w/c on paper) by Loftie, William (fl.1815); National Army Museum, London; (add.info.: Maj William Loftie, 55th (the Westmoreland) Regiment of Foot

Background imageWilliam Heath Collection: The Battle of Waterloo, 1815, c. 1818 (w / c on paper)

The Battle of Waterloo, 1815, c. 1818 (w / c on paper)
1772194 The Battle of Waterloo, 1815, c.1818 (w/c on paper) by Heath, William (1795-1840); National Army Museum, London; (add.info.: The original design for Wellingtons Victories plate 29)

Background imageWilliam Heath Collection: Portrait of a Noble Duke, 'I should think this head possest some talent for Military

Portrait of a Noble Duke, "I should think this head possest some talent for Military
780294 Portrait of a Noble Duke, " I should think this head possest some talent for Military affairs", pub Thos McLean, 1829 (engraving) by English School

Background imageWilliam Heath Collection: Battle of Assye 23 Sept 1803, aquatint by J. C. Stadler, pub. by Tegg, Apr 1818 (aquatint)

Battle of Assye 23 Sept 1803, aquatint by J. C. Stadler, pub. by Tegg, Apr 1818 (aquatint)
780292 Battle of Assye 23 Sept 1803, aquatint by J.C. Stadler, pub. by Tegg, Apr 1818 (aquatint) by Heath, William (1795-1840); Private Collection; (add.info.: Battle of Assaye, 1803)

Background imageWilliam Heath Collection: Storming of St Sebastian Aug 31, 1811, aquatint by J. C. Stadler, pub

Storming of St Sebastian Aug 31, 1811, aquatint by J. C. Stadler, pub
780290 Storming of St Sebastian Aug 31, 1811, aquatint by J.C. Stadler, pub. by Tegg, Apr 1818 (aquatint) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English

Background imageWilliam Heath Collection: Changing the Guard at St Jamess Palace, 1792 (coloured engraving)

Changing the Guard at St Jamess Palace, 1792 (coloured engraving)
2975502 Changing the Guard at St Jamess Palace, 1792 (coloured engraving) by English School, (18th century); National Army Museum

Background imageWilliam Heath Collection: First Kings Dragoon Guards, 1820 (coloured aquatint)

First Kings Dragoon Guards, 1820 (coloured aquatint)
2975481 First Kings Dragoon Guards, 1820 (coloured aquatint) by Heath, William (1795-1840); National Army Museum, London; (add.info.: Published by J Watson, Vere Street, Bond Street, London)

Background imageWilliam Heath Collection: Equestrian Portrait of a Man with a Page (oil on canvas)

Equestrian Portrait of a Man with a Page (oil on canvas)
LST204415 Equestrian Portrait of a Man with a Page (oil on canvas) by Keyser, Thomas de (1596/7-1667); 94.6x77.2 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Dutch, out of copyright

Background imageWilliam Heath Collection: Kissing Hands, published 1827 (colour litho)

Kissing Hands, published 1827 (colour litho)
STC204389 Kissing Hands, published 1827 (colour litho) by Heath, William (1795-1840); Private Collection; (add.info.: ridiculing British politicians sucking up to Caroline of Brunswick (1768-1821)

Background imageWilliam Heath Collection: Game of Chess, published by H. Humphrey, London (coloured etching)

Game of Chess, published by H. Humphrey, London (coloured etching)
STC188369 Game of Chess, published by H. Humphrey, London (coloured etching) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWilliam Heath Collection: Morning, Noon, Night, published by Thomas McLean, London (coloured etching

Morning, Noon, Night, published by Thomas McLean, London (coloured etching
STC188367 Morning, Noon, Night, published by Thomas McLean, London (coloured etching) (see also 188366) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English

Background imageWilliam Heath Collection: Le grand duc - Nicolas Mikhailovitch de Russie - ( maison Romanov

Le grand duc - Nicolas Mikhailovitch de Russie - ( maison Romanov
FIA5396407 Le grand duc - Nicolas Mikhailovitch de Russie - ( maison Romanov) Portrait of Grand Duke Nikolai Nikolayevich of Russia (1831-1891) - Anonymous - 1860 - Colour lithograph - 52, 6x35

Background imageWilliam Heath Collection: 'Porte etendard mamelouk au combat'

"Porte etendard mamelouk au combat"
FIA5396390 " Porte etendard mamelouk au combat" (Mamluk standard-bearer in combat) Aquarelle de William Heath (1795-1840) - 1818 Dim 33, 5x25, 9 cm Private Collection by Heath

Background imageWilliam Heath Collection: Sir William Herschel (1738-1822) Illustration from John Cassell

Sir William Herschel (1738-1822) Illustration from John Cassell
884427 Sir William Herschel (1738-1822) Illustration from John Cassells Illustrated History of England (engraving) by English School

Background imageWilliam Heath Collection: The Prime Lobster, 1828 (etching)

The Prime Lobster, 1828 (etching)
884413 The Prime Lobster, 1828 (etching) by Heath, William (1795-1840); Private Collection; (add.info.: The Duke of Wellington as a giant lobster; from his back hangs a Chancellor of the Exchequers)

Background imageWilliam Heath Collection: Pine Marten, 1919 (w / c on paper)

Pine Marten, 1919 (w / c on paper)
XZL150438 Pine Marten, 1919 (w/c on paper) by Thorburn, Archibald (1860-1935); Private Collection; Scottish, out of copyright

Background imageWilliam Heath Collection: Old Mother Scarletta the Laundress, no. 5 from the series Household Servants

Old Mother Scarletta the Laundress, no. 5 from the series Household Servants
XZL150422 Old Mother Scarletta the Laundress, no.5 from the series Household Servants, published in 1829 (coloured engraving) by Heath, William (1795-1840); Victoria & Albert Museum, London

Background imageWilliam Heath Collection: Commode and chair in the state bedchamber at Nostell Priory

Commode and chair in the state bedchamber at Nostell Priory
BAL2040 Commode and chair in the state bedchamber at Nostell Priory, Yorkshire (green and gold lacquer) by Chippendale, Thomas (1718-79); Nostell Priory, Yorkshire, UK; British, out of copyright

Background imageWilliam Heath Collection: Grimaldis Leap Frog in the Comic Pantomime of the Golden Fish

Grimaldis Leap Frog in the Comic Pantomime of the Golden Fish
PT4597 Grimaldis Leap Frog in the Comic Pantomime of the Golden Fish, 1812 (coloured engraving) by Heath, William (1795-1840); Victoria & Albert Museum, London, UK; (add.info.: Grimaldi)

Background imageWilliam Heath Collection: Coronation Procession of George IV, 1821 (aquatint)

Coronation Procession of George IV, 1821 (aquatint)
GHL55685 Coronation Procession of George IV, 1821 (aquatint) by Heath, William (1795-1840); London Metropolitan Archives, City of London; (add.info)

Background imageWilliam Heath Collection: Battle of Waterloo 1815, plate 29 from Wellingtons Victories

Battle of Waterloo 1815, plate 29 from Wellingtons Victories
NAM250509 Battle of Waterloo 1815, plate 29 from Wellingtons Victories published by T.Tegg, 1818 (coloured aquatint) by Heath, William (1795-1840); National Army Museum

Background imageWilliam Heath Collection: The Morning Bath, illustration of elegant Parisian life in the second half of the 18th

The Morning Bath, illustration of elegant Parisian life in the second half of the 18th
CHT188882 The Morning Bath, illustration of elegant Parisian life in the second half of the 18th century, c.1890 (colour litho) by Leloir, Maurice (1853-1940); Bibliotheque des Arts Decoratifs

Background imageWilliam Heath Collection: A Nice Place in Hot Weather, c. 1800 (coloured engraving)

A Nice Place in Hot Weather, c. 1800 (coloured engraving)
CHT188879 A Nice Place in Hot Weather, c.1800 (coloured engraving) by Heath, William (1795-1840); Bibliotheque des Arts Decoratifs, Paris

Background imageWilliam Heath Collection: Morning, Noon, Night, published by Thomas McLean, London (coloured etching

Morning, Noon, Night, published by Thomas McLean, London (coloured etching
STC188366 Morning, Noon, Night, published by Thomas McLean, London (coloured etching) (see also 188367) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English

Background imageWilliam Heath Collection: The Political Clyster, print made by William Hogarth, 1757 (engraving)

The Political Clyster, print made by William Hogarth, 1757 (engraving)
740551 The Political Clyster, print made by William Hogarth, 1757 (engraving) by Swift, Jonathan (1667-1745) (after); Private Collection; (add.info)

Background imageWilliam Heath Collection: Modern Peeping Toms who deserve to be sent to Coventry, c

Modern Peeping Toms who deserve to be sent to Coventry, c
740547 Modern Peeping Toms who deserve to be sent to Coventry, c.1829 (hand-coloured engraving) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWilliam Heath Collection: Sir Thomas Picton fell in the thickets of the fight, pub. J. Booth, 1816 (engraving)

Sir Thomas Picton fell in the thickets of the fight, pub. J. Booth, 1816 (engraving)
780310 Sir Thomas Picton fell in the thickets of the fight, pub. J. Booth, 1816 (engraving) by Jones, George (1786-1869); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWilliam Heath Collection: Lord Wellington entering Salamanca, aquatint by J. C. Stadler, pub

Lord Wellington entering Salamanca, aquatint by J. C. Stadler, pub
780291 Lord Wellington entering Salamanca, aquatint by J.C. Stadler, pub. by Tegg, Apr 1818 (aquatint) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English

Background imageWilliam Heath Collection: A View of Chelsea, engraved by I. Vivarez, c. 1744 (coloured engraving)

A View of Chelsea, engraved by I. Vivarez, c. 1744 (coloured engraving)
810278 A View of Chelsea, engraved by I. Vivarez, c.1744 (coloured engraving) by Maurer, I. (18th century) (after); Private Collection; (add.info)

Background imageWilliam Heath Collection: The British Royal Horse Artillery - Rocket Troop, 1835 (colour litho)

The British Royal Horse Artillery - Rocket Troop, 1835 (colour litho)
810269 The British Royal Horse Artillery - Rocket Troop, 1835 (colour litho) by Heath, William (1795-1840); Private Collection; The Stapleton Collection; English, out of copyright

Background imageWilliam Heath Collection: Parade for Queen Victorias Diamond Jubilee, 1897 (b / w photo)

Parade for Queen Victorias Diamond Jubilee, 1897 (b / w photo)
3037539 Parade for Queen Victorias Diamond Jubilee, 1897 (b/w photo) by English Photographer, (19th century); National Army Museum

Background imageWilliam Heath Collection: Modern Military Gallantry - A sketch near the New Palace / Keep outside - Oh dear it

Modern Military Gallantry - A sketch near the New Palace / Keep outside - Oh dear it
3037476 Modern Military Gallantry - A sketch near the New Palace / Keep outside - Oh dear it is so dirty, c.1829 (coloured etching) by Heath, William (1795-1840); National Army Museum

Background imageWilliam Heath Collection: First aerial crossing of the English Channel (engraving)

First aerial crossing of the English Channel (engraving)
3869766 First aerial crossing of the English Channel (engraving) by Unknown artist, (18th-19th century); (add.info.: First aerial crossing of the English Channel, 7th January 1785)



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