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The Chorus or Rehearsal of the Oratorio of Judith, illustration from
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The Chorus or Rehearsal of the Oratorio of Judith, illustration from
STC451236 The Chorus or Rehearsal of the Oratorio of Judith, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: Music reads The World shall bow to the Assyrian throne ; Oratorio of Judith was written by Willem de Fesch (1687-1761) who is also the conductor in this image; The engraving shows a rehearsal for the oratorio Judith, written by William Huggins with music by William Defesch. It was performed in February 1732 at Lincolns Inn Fields, after a postponement due to the Misconduct and Pretended sickness of Cecilia Young, who had ingaged for the Part of Judith. The Conductor, whose agitated movements have shaken off his periwig, conducts from a paper inscribed Judith: An Oratorio or Sacred Drama.); The Stapleton Collection; English, out of copyright
Media ID 22399944
© The Stapleton Collection / Bridgeman Images
Bald Cacophony Choir Conducting Grotesque Handel Humourous Noise Singer Singers Singing Wigless Wigs Reading Music
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This hand-coloured engraving captures the chaotic and comical scene of a rehearsal for the oratorio Judith, written by William Huggins with music by William Defesch. Created by the celebrated artist William Hogarth, this print showcases his satirical genius in depicting a group of musicians and singers preparing for their performance. The conductor, portrayed with agitated movements that have shaken off his periwig, stands at the center of attention. Clutching a paper inscribed "Judith: An Oratorio or Sacred Drama" he leads the ensemble through their musical journey. The absence of wigs on some of the male performers adds to the whimsical nature of this scene. Surrounded by an array of eccentric characters, from bald musicians to wig-wearing singers, Hogarth's portrayal emphasizes both individuality and cacophony within this chorus. The exaggerated facial expressions and grotesque features add an element of humor to this lively composition. The costumes worn by these performers reflect 18th-century fashion trends while also serving as a subtle commentary on societal norms. Through his sharp wit and artistic skill, Hogarth masterfully combines satire with musical performance in this illustration. This print is part of "Hogarth Restored: The Whole Works" re-engraved by Thomas Cook in 1812. It offers viewers a glimpse into the world behind-the-scenes—a world filled with noise, chaos, and unexpected moments—capturing not only the essence of rehearsals but also human folly itself.
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