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The Election II: Canvassing for Votes, illustration from Hogarth Restored
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The Election II: Canvassing for Votes, illustration from Hogarth Restored
STC451172 The Election II: Canvassing for Votes, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 23183548
© The Stapleton Collection / Bridgeman Images
Bribe Bribery Coercion Corrupt Corruption Counting Money Firing Gluttony Henry Fielding Political Satire Riot Sign Tavern Uproar
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The Election II - Canvassing for Votes
EDITORS COMMENTS
is a captivating and humorous illustration that captures the chaos and corruption of political campaigns in the 18th century. Created by renowned artist William Hogarth, this hand-coloured engraving showcases his exceptional talent for satirical storytelling. In this lively street scene, we witness a riotous clash between rival factions vying for votes outside an inn. The air is thick with smoke from firing rifles and smoking pipes, adding to the rowdy atmosphere. Politicians shamelessly engage in bribery, counting money openly as they attempt to coerce voters with their ill-gotten gains. Hogarth's keen eye for detail reveals gluttony and excess amidst the chaos – individuals indulging in food and drink while others fight fiercely. The sign above the tavern ironically reads "The Excise Office" highlighting the rampant corruption within politics at that time. This engraving not only serves as a scathing critique of political practices but also reflects society's fascination with conflict and confrontation. It draws inspiration from Henry Fielding's writings on satire, effectively capturing the absurdity of power struggles during elections. As we delve into this intricate artwork, we are reminded of Hogarth's mastery in exposing societal flaws through biting wit and visual storytelling. "The Election II: Canvassing for Votes" remains an enduring testament to his artistic genius and continues to provoke thought on contemporary politics even today.
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