Home > Europe > United Kingdom > England > London > Art > William Hogarth
Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored
Wall Art and Photo Gifts from Fine Art Finder
Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored
STC451152 Marriage a la Mode, Plate II, The Tete a Tete, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub. 1812 (hand-coloured engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: original in National Gallery London, c.1743; also known as After the Marriage; ); The Stapleton Collection; English, out of copyright
Media ID 23489152
© The Stapleton Collection / Bridgeman Images
Accountant Aftermath Arranged Breakfast Breakfasts Deshabille Disarray Dissolute Glum Lazy Moral Tale Morality Steward Stretching Tired Unhappy Yawning Dine
FEATURES IN THESE COLLECTIONS
> Arts
> Artists
> H
> William Hogarth
> Arts
> Artists
> William Hogarth
> Arts
> Pop art
> Satire
> Satirical artwork
> Europe
> United Kingdom
> England
> London
> Art
> William Hogarth
> Fine Art Finder
> Artists
> William Hogarth
> Fine Art Finder
> Cartoons, Caricatures & Humour
> Popular Themes
> William Hogarth
EDITORS COMMENTS
The print captures a scene from William Hogarth's iconic series "Marriage a la Mode" specifically Plate II, titled "The Tete a Tete". This hand-coloured engraving, re-engraved by Thomas Cook and published in 1812, depicts an interior setting that reflects the tired and dissolute state of the characters involved. In this satirical portrayal of Georgian society, we witness a disarrayed wife stretching lazily while her hungover husband sits glumly at the breakfast table. The aftermath of their arranged marriage is evident as they yawn unhappily in their deshabille attire. The moral tale behind this illustration highlights the consequences of immorality and extravagance. The husband, portrayed as an accountant or steward, appears weary from his indulgent lifestyle. Meanwhile, his wife seems uninterested and discontented with her marital situation. Through subtle details like these, Hogarth masterfully critiques the social norms and values prevalent during the 18th century. This image invites viewers to contemplate themes of morality and societal expectations within a historical context. It serves as a reminder that even in centuries past, relationships could be fraught with dissatisfaction and disillusionment. As part of Hogarth's larger body of work held at the National Gallery London since its creation around 1743, this particular print offers us insight into both artistic genius and cultural commentary from another era.
MADE IN AUSTRALIA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.
