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Madonna and Child, c. 1470 (tempera, oil, and gold on wood)

Madonna and Child, c. 1470 (tempera, oil, and gold on wood)


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Madonna and Child, c. 1470 (tempera, oil, and gold on wood)

3493249 Madonna and Child, c.1470 (tempera, oil, and gold on wood) by Bellini, Giovanni (c.1430-1516); 54x40 cm; Metropolitan Museum of Art, New York, USA; (add.info.: The gourds in the garland and at the left of the parapet symbolize the Resurrection; the fruit at right might be a cherry, signifying the Eucharist, or an apple, evoking the Fall. ); Italian, out of copyright

Media ID 23629870

© Bridgeman Images

Baby Jesus Garland Gospels Gourd Italian Renaissance Panel Symbolism Halo


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> Arts > Art Movements > Landscapes

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Giovanni Bellini

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings

> Europe > Italy > Paintings

> Fine Art Finder > Artists > Giovanni Bellini

> Fine Art Finder > Artists > William Michael Harnett

> Fine Art Finder > Madonna & Child


EDITORS COMMENTS
This print showcases Giovanni Bellini's iconic masterpiece, "Madonna and Child" created around 1470. The painting, measuring 54x40 cm, is housed in the prestigious Metropolitan Museum of Art in New York City. Bellini's skillful use of tempera, oil, and gold on wood brings to life a tender scene depicting the Virgin Mary cradling baby Jesus. The artist's attention to detail is evident in every brushstroke as he beautifully captures the love and devotion between mother and child. The symbolism within the artwork adds depth and meaning to its composition. The gourds adorning the garland and left side of the parapet represent resurrection, while the fruit on the right could be interpreted as either a cherry symbolizing the Eucharist or an apple alluding to humanity's fall from grace. As we admire this piece from Italy's Renaissance period, we are reminded of its religious significance rooted in Christian beliefs. The halo surrounding both figures signifies their divinity while also emphasizing their importance within biblical narratives. Beyond its spiritual connotations, Bellini incorporates elements of botany into his work by showcasing various fruits throughout the painting. This inclusion not only highlights his meticulous attention to detail but also reflects his interest in natural history and science prevalent during that era. Overall, this print offers viewers a glimpse into Italian artistry at its finest—an exquisite blend of religious devotion, symbolic imagery, and masterful technique that continues to captivate audiences centuries later.

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