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Scene of Japanese popular theatre during the Genroku period (1688-1704)
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Scene of Japanese popular theatre during the Genroku period (1688-1704)
CHT349858 Scene of Japanese popular theatre during the Genroku period (1688-1704), illustration from Kokka magazine, August, 1908 (colour litho) by Moronobu, Hishikawa (c.1618-1694); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Theatre populaire a l epoque Genroku; ); eArchives Charmet; Japanese, out of copyright
Media ID 23376640
© Archives Charmet / Bridgeman Images
Ukiyo Ukiyo E Woodcut Social History
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EDITORS COMMENTS
This print transports us back to the vibrant world of Japanese popular theatre during the Genroku period (1688-1704). The illustration, taken from Kokka magazine in August 1908, showcases a scene that is both visually stunning and culturally significant. Created by Moronobu Hishikawa, a renowned artist of his time, this colour lithograph captures the essence of traditional Japanese stage performances. The intricate woodcut design brings to life the actors' expressive gestures and elaborate costumes, immersing us in their dramatic storytelling. The Genroku period was known for its flourishing arts scene, particularly in Kabuki theater. This image provides a glimpse into this golden age of entertainment as it depicts an enthralling moment on stage. The actors' dynamic poses and intense expressions convey their dedication to their craft and captivate audiences with every movement. As we gaze upon this historical gem preserved by Bibliotheque des Arts Decoratifs in Paris, France, we are reminded of the enduring power of art to transcend time and culture. It serves as a testament to Japan's rich artistic heritage and offers us a window into an era long gone but not forgotten. With its striking colors and meticulous attention to detail, this print exemplifies ukiyo-e - a genre of Japanese art that flourished during the Edo period. It invites us to appreciate not only the beauty within this particular scene but also the broader social history it represents. In conclusion, Bridgeman Images
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