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The Proposed Emigrant Dumping Site, front cover of Judge
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The Proposed Emigrant Dumping Site, front cover of Judge
CHT215010 The Proposed Emigrant Dumping Site, front cover of Judge, 22nd March 1890 (colour litho) by American School, (19th century); CNAM, Conservatoire National des Arts et Metiers, Paris; (add.info.: Mr Windom, if you are going to make this island a garbage heap I m going back to France ; ); eArchives Charmet; American, out of copyright
Media ID 23208270
© Archives Charmet / Bridgeman Images
Emigration Immigrants Immigration Migration New York Harbour Policy
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The Proposed Emigrant Dumping Site
EDITORS COMMENTS
is a thought-provoking and satirical political cartoon captured on the front cover of Judge magazine on March 22nd, 1890. This color lithograph, created by an anonymous American artist from the 19th century, showcases a significant moment in US history. The image portrays New York Harbor as a bustling scene with ships and boats floating amidst iconic monuments. However, it also highlights the controversial issue of emigration during that time. The central figure depicted is Mr. Windom, the Secretary of US Treasury at that period. In this cleverly crafted artwork, Mr. Windom stands atop a boat labeled "Policy" symbolizing his role in shaping immigration policies for the United States of America. Behind him lies an island intended to be transformed into a garbage heap - the proposed dumping site for immigrants. The caption accompanying this print adds another layer to its meaning: "Mr. Windom, if you are going to make this island a garbage heap I'm going back to France". This statement reflects the frustration and disillusionment felt by those affected by these policies. This piece captures both satire and social commentary surrounding migration issues prevalent during that era. It serves as a reminder of historical struggles faced by immigrants seeking better lives in America while shedding light on political decisions impacting their fates. Displayed at CNAM (Conservatoire National des Arts et Metiers) in Paris today, this print remains an important artifact showcasing art's ability to convey powerful messages
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