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The second angel announces the fall of Babylon, no. 50 from

The second angel announces the fall of Babylon, no. 50 from


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The second angel announces the fall of Babylon, no. 50 from

XIR83994 The second angel announces the fall of Babylon, no.50 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: the second angel announces the fall of Babylon; ); French, out of copyright

Media ID 22785254

© Bridgeman Images

Book Of Revelation Evangelist John Revelations Vision


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The Second Angel Proclaims the Fall of Babylon - A Tapestry Unveiling the Divine Prophecy

EDITORS COMMENTS
. This print showcases a remarkable tapestry titled "The Second Angel Announces the Fall of Babylon" part of The Apocalypse of Angers series created by Nicolas Bataille in 1373-87. Housed at the Musee des Tapisseries in Angers, France, this masterpiece transports viewers to a world where ancient biblical prophecies come alive. In this particular scene, we witness an angel standing tall and resolute amidst ruins that symbolize Rome. With outstretched wings and a commanding presence, the celestial messenger proclaims with unwavering conviction the imminent downfall of Babylon. As described in the Book of Revelation, this dramatic moment signifies both divine judgment and redemption. Bridging history and artistry, Bataille's intricate craftsmanship brings forth vivid imagery that captures our imagination. Through his skillful weaving techniques, he breathes life into John's visionary account from within the pages of St. John's Gospel. This print not only invites us to marvel at its artistic beauty but also encourages contemplation on themes such as faith, prophecy, and humanity's eternal struggle between good and evil. It serves as a reminder that even amidst chaos and destruction, hope can emerge victorious. As we gaze upon this awe-inspiring tapestry through Bridgeman Images' lens, let us ponder how centuries-old masterpieces continue to resonate with contemporary audiences—reminding us that

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