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Necessitas Non Habet Leges, or the Nauseous Pill, 1823 (hand-coloured engraving)
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Necessitas Non Habet Leges, or the Nauseous Pill, 1823 (hand-coloured engraving)
XCF306879 Necessitas Non Habet Leges, or the Nauseous Pill, 1823 (hand-coloured engraving) by English School, (19th century); Private Collection; (add.info.: Necessity has no Laws ; cartoon of George IV (1762-1830) with reference to his wife, Caroline of Brunswick (1768-1821), whose portrait hangs behind the king; ); English, out of copyright
Media ID 12841678
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Bill Divorce Judge Lord Chancellor Political Satire Prinny Problems Spying Regency
EDITORS COMMENTS
This hand-coloured engraving titled "Necessitas Non Habet Leges, or the Nauseous Pill" captures a moment of political satire and social commentary from 1823. The artwork depicts George IV, the King of England at the time, with a reference to his estranged wife Caroline of Brunswick in the background. The phrase "Necessity has no Laws" serves as a powerful statement about the nature of power and its ability to bend or break established rules. The cartoon showcases various elements that reflect the turbulent state of affairs during this period. A bill is being passed by politicians while a judge spies on them, highlighting themes of corruption and secrecy within government institutions. The presence of medicine suggests that this artwork may be commenting on issues related to health or scandalous behavior. George IV's weight is exaggerated in this caricature, emphasizing his extravagant lifestyle and perhaps mocking him for his perceived lack of responsibility as a ruler. Additionally, references to divorce and marriage problems further allude to personal controversies surrounding George IV's own marital struggles. Overall, this print offers an intriguing glimpse into 19th-century politics through clever visual storytelling and biting satire. It invites viewers to ponder questions about power dynamics, societal norms, and individual accountability within governance systems.
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