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Turner Collection (page 7)

573 items

Background imageTurner Collection: R. 809 Gloucester Cathedral, from the Little Liber, engraved by the artist, c

R. 809 Gloucester Cathedral, from the Little Liber, engraved by the artist, c
FIT90261 R.809 Gloucester Cathedral, from the Little Liber, engraved by the artist, c.1826 (mezzotint) by Turner, Joseph Mallord William (1775-1851); 18.8x25.1 cm; Fitzwilliam Museum

Background imageTurner Collection: F. 55. I Entrance to Calais Harbour, from the Liber Studiorum

F. 55. I Entrance to Calais Harbour, from the Liber Studiorum
FIT90247 F.55.I Entrance to Calais Harbour, from the Liber Studiorum, engraved by the artist, 1816 (etching) by Turner, Joseph Mallord William (1775-1851); 21.4x30.1 cm; Fitzwilliam Museum

Background imageTurner Collection: F. 15. I Lake of Thun, from the Liber Studiorum, engraved by Charles Turner

F. 15. I Lake of Thun, from the Liber Studiorum, engraved by Charles Turner
FIT90220 F.15.I Lake of Thun, from the Liber Studiorum, engraved by Charles Turner, 1808 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.8x28.9 cm; Fitzwilliam Museum

Background imageTurner Collection: Bolton Abbey

Bolton Abbey
LIV47858 Bolton Abbey, by Turner, Joseph Mallord William (1775-1851); University of Liverpool Art Gallery & Collections, UK; eVictoria Gallery & Museum, University of Liverpool; English

Background imageTurner Collection: Scarborough

Scarborough
AGN49556 Scarborough by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: The Thames from Richmond

The Thames from Richmond
AGN49555 The Thames from Richmond by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Sir Walter Scott visiting Smallholm Tower

Sir Walter Scott visiting Smallholm Tower
AGN49541 Sir Walter Scott visiting Smallholm Tower by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Bedford

Bedford
AGN49413 Bedford by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Sala de Maria Louisa de Parma (photo)

Sala de Maria Louisa de Parma (photo)
BAL1265 Sala de Maria Louisa de Parma (photo) by Spanish School, (18th century); Palacio Real de Madrid, Spain; (add.info)

Background imageTurner Collection: Lake Albano

Lake Albano
CH23950 Lake Albano by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurner Collection: Art Cannot be Modern: Art is Eternal, 1912

Art Cannot be Modern: Art is Eternal, 1912
MG38402 Art Cannot be Modern: Art is Eternal, 1912 by Schiele, Egon (1890-1918); Graphische Sammlung Albertina, Vienna, Austria; eMick Gold; Austrian, out of copyright

Background imageTurner Collection: High Green, Queen Square, Wolverhampton, 1795 (w / c)

High Green, Queen Square, Wolverhampton, 1795 (w / c)
WAG13365 High Green, Queen Square, Wolverhampton, 1795 (w/c) by Turner, Joseph Mallord William (1775-1851); 31.8x41.9 cm; Wolverhampton Art Gallery, West Midlands

Background imageTurner Collection: The Sun Rising through Vapour, c. 1809

The Sun Rising through Vapour, c. 1809
BI88602 The Sun Rising through Vapour, c.1809 by Turner, Joseph Mallord William (1775-1851); 69.2x101.6 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageTurner Collection: Florence from the road to Fiesole (w / c)

Florence from the road to Fiesole (w / c)
AGN81592 Florence from the road to Fiesole (w/c) by Turner, Joseph Mallord William (1775-1851); 14x21.4 cm; Agnew & Sons, London; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Fishermen upon a lee-shore in squally weather (oil on canvas)

Fishermen upon a lee-shore in squally weather (oil on canvas)
SOU80752 Fishermen upon a lee-shore in squally weather (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 91.5x122 cm; Southampton City Art Gallery, Hampshire

Background imageTurner Collection: Fr. 20124 f. 331 The Looting of Jerusalem after the Capture by the Christians in 1099

Fr. 20124 f. 331 The Looting of Jerusalem after the Capture by the Christians in 1099
BAL4068 Fr.20124 f.331 The Looting of Jerusalem after the Capture by the Christians in 1099, illuminated miniature from a universal chronicle, 1440 (vellum) by Jean de Courcy

Background imageTurner Collection: The Lorelei Rock, c. 1817 (pencil and w / c on paper)

The Lorelei Rock, c. 1817 (pencil and w / c on paper)
LMG109172 The Lorelei Rock, c.1817 (pencil and w/c on paper) by Turner, Joseph Mallord William (1775-1851); 20.2x31.2 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageTurner Collection: Llanblethian Castle Gateway, 1797 (pen & ink and w / c on paper)

Llanblethian Castle Gateway, 1797 (pen & ink and w / c on paper)
LMG109168 Llanblethian Castle Gateway, 1797 (pen & ink and w/c on paper) by Turner, Joseph Mallord William (1775-1851); 39.5x53.2 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageTurner Collection: View of Lucerne, 1840-41 (w / c with scraping on white wove paper)

View of Lucerne, 1840-41 (w / c with scraping on white wove paper)
2971506 View of Lucerne, 1840-41 (w/c with scraping on white wove paper) by Turner, Joseph Mallord William (1775-1851); 23.3x29.2 cm; The Art Institute of Chicago, IL

Background imageTurner Collection: Lake Thun, c. 1838 (w / c on paper)

Lake Thun, c. 1838 (w / c on paper)
CEC128160 Lake Thun, c.1838 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 22.7x28.7 cm; The Higgins Art Gallery & Museum, Bedford, UK; eThe Higgins Art Gallery & Museum; English

Background imageTurner Collection: No. 0584 Brunnen, with Lake Lucerne in the distance, c. 1842 (w / c and ink)

No. 0584 Brunnen, with Lake Lucerne in the distance, c. 1842 (w / c and ink)
FIT66035 No.0584 Brunnen, with Lake Lucerne in the distance, c.1842 (w/c and ink) by Turner, Joseph Mallord William (1775-1851); Fitzwilliam Museum, University of Cambridge

Background imageTurner Collection: Fishmarket on the Sands, Hastings (w / c)

Fishmarket on the Sands, Hastings (w / c)
AGN65463 Fishmarket on the Sands, Hastings (w/c) by Turner, Joseph Mallord William (1775-1851); 27.2x39.8 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Autumn, sowing grain, 1818 (hand coloured etching and aquatint)

Autumn, sowing grain, 1818 (hand coloured etching and aquatint)
SC27840 Autumn, sowing grain, 1818 (hand coloured etching and aquatint) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageTurner Collection: Falls of the Anio (w / c)

Falls of the Anio (w / c)
SC27807 Falls of the Anio (w/c) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageTurner Collection: A Fishmarket on the Beach, c. 1802-04 (oil on canvas)

A Fishmarket on the Beach, c. 1802-04 (oil on canvas)
CH23946 A Fishmarket on the Beach, c.1802-04 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 44.5x59 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurner Collection: Bridge over the Usk

Bridge over the Usk
SC14477 Bridge over the Usk by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageTurner Collection: Sunset, c. 1830 (w / c and gouache on grey paper)

Sunset, c. 1830 (w / c and gouache on grey paper)
BAC155877 Sunset, c.1830 (w/c and gouache on grey paper) by Turner, Joseph Mallord William (1775-1851); 22.5x29.5 cm; Private Collection; English, out of copyright

Background imageTurner Collection: Rainbow Over Loch Awe, c. 1831 (pencil and w / c on paper)

Rainbow Over Loch Awe, c. 1831 (pencil and w / c on paper)
BAC155870 Rainbow Over Loch Awe, c.1831 (pencil and w/c on paper) by Turner, Joseph Mallord William (1775-1851); 22.5x28.6 cm; Private Collection; English, out of copyright

Background imageTurner Collection: Gibside, County Durham from the South (w / c on paper) (see 155786 for pair)

Gibside, County Durham from the South (w / c on paper) (see 155786 for pair)
BWM155783 Gibside, County Durham from the South (w/c on paper) (see 155786 for pair) by Turner, Joseph Mallord William (1775-1851); The Bowes Museum, Barnard Castle, County Durham

Background imageTurner Collection: Breastplate (bronze)

Breastplate (bronze)
XIR161750 Breastplate (bronze) by Gaulish (8th century BC); Musee des Antiquites Nationales, St. Germain-en-Laye, France; French, out of copyright

Background imageTurner Collection: Florence, c. 1827 (w / c on paper)

Florence, c. 1827 (w / c on paper)
COV138410 Florence, c.1827 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Herbert Art Gallery & Museum, Coventry, UK; eHerbert Art Gallery & Museum, Coventry; English, out of copyright

Background imageTurner Collection: Part of the Ghaut at Hurdwar, c. 1835 (w / c and gouache on paper)

Part of the Ghaut at Hurdwar, c. 1835 (w / c and gouache on paper)
LMG100078 Part of the Ghaut at Hurdwar, c.1835 (w/c and gouache on paper) by Turner, Joseph Mallord William (1775-1851); 13.9x21 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Background imageTurner Collection: This is Sain Fishery That Used to Be : St. Ives Harbour and Godrevy Lighthouse

This is Sain Fishery That Used to Be : St. Ives Harbour and Godrevy Lighthouse
BAL75959 This is Sain Fishery That Used to Be : St. Ives Harbour and Godrevy Lighthouse (oil on board) by Wallis, Alfred (1855-1942); Barbara Hepworth Museum and Sculpture Garden, St

Background imageTurner Collection: A Mountain Landscape, 1626

A Mountain Landscape, 1626
BOO73408 A Mountain Landscape, 1626 by Brill or Bril, Paul (1554-1626); 75x103 cm; State Hermitage Museum, St. Petersburg, Russia; Flemish, out of copyright

Background imageTurner Collection: Saumur (w / c)

Saumur (w / c)
AGN81855 Saumur (w/c) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Merwick Abbey

Merwick Abbey
AGN49559 Merwick Abbey by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Goesberg and Hochkreuz (w / c)

Goesberg and Hochkreuz (w / c)
AGN59553 Goesberg and Hochkreuz (w/c) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: A Gurnard

A Gurnard
SC14505 A Gurnard by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageTurner Collection: Lifeboat and Manby Apparatus going off to a stranded vessel making signal (blue lights

Lifeboat and Manby Apparatus going off to a stranded vessel making signal (blue lights
SC4046 Lifeboat and Manby Apparatus going off to a stranded vessel making signal (blue lights) of distress, c.1831 (oil on canvas) by Turner

Background imageTurner Collection: Group of men playing dominoes in the Pays de Bade, 1863 (coloured photo)

Group of men playing dominoes in the Pays de Bade, 1863 (coloured photo)
CHT360271 Group of men playing dominoes in the Pays de Bade, 1863 (coloured photo) by German Photographer, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageTurner Collection: San Giorgio Maggiore (oil on canvas)

San Giorgio Maggiore (oil on canvas)
AGN358244 San Giorgio Maggiore (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Lausanne from the West (w / c on paper)

Lausanne from the West (w / c on paper)
AGN355085 Lausanne from the West (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Vevey, Lake Geneva (w / c on paper)

Vevey, Lake Geneva (w / c on paper)
AGN355051 Vevey, Lake Geneva (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Reapers above the Seine at St. Cloud (w / c on paper)

Reapers above the Seine at St. Cloud (w / c on paper)
AGN355045 Reapers above the Seine at St. Cloud (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Caserta (w / c on paper)

Caserta (w / c on paper)
AGN355043 Caserta (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Mainz (w / c on paper)

Mainz (w / c on paper)
AGN355025 Mainz (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Lausanne, from Le Signal (w / c on paper)

Lausanne, from Le Signal (w / c on paper)
AGN355021 Lausanne, from Le Signal (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageTurner Collection: Kirkstall Abbey, Yorkshire, 1797 (w / c on paper)

Kirkstall Abbey, Yorkshire, 1797 (w / c on paper)
FIT408373 Kirkstall Abbey, Yorkshire, 1797 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 51.4x74.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English



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