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Fine Art Print : Over-taxed subjects ejected from their houses, illustration from Hutchinson

Over-taxed subjects ejected from their houses, illustration from Hutchinson



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Over-taxed subjects ejected from their houses, illustration from Hutchinson

STC293137 Over-taxed subjects ejected from their houses, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 22946014

© The Stapleton Collection / Bridgeman Images

Bailiff Baron Confiscated Evicted Eviction Goods Injustice King Henry I Normans Oppression Oppressor Peasantry Peasants Plead Pleading Tax Collector Taxes Villagers Confiscation


20"x16" (+3" Border) Fine Art Print

Experience the powerful narrative of history with our Over-taxed subjects ejected from their houses fine art print from Hutchinson by Bridgeman Images. This evocative illustration, taken from The Story of the British Nation, captures the raw emotion and turmoil of a community facing hardship. The intricate lithographic details bring Woodville's masterful storytelling to life, transporting you back in time. Add this captivating piece to your home or office to inspire reflection and conversation.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Alfred Pearse

> Fine Art Finder > Artists > Richard Caton II (after) Woodville

> Fine Art Finder > Town & Village Scenes: British

> Arts > Art Movements > Medieval Art

> Arts > Artists > W > Caton Woodville

> Arts > Artists > W > Richard Caton Woodville


EDITORS COMMENTS
This black and white lithograph, titled "Over-taxed subjects ejected from their houses" offers a poignant glimpse into the struggles faced by villagers in medieval England. Created by Richard Caton Woodville II in 1923 as an illustration for Hutchinson's Story of the British Nation, this print showcases the artist's exceptional talent for capturing emotional depth. The scene depicts a heart-wrenching moment of eviction, where poor peasants are forcibly removed from their homes by Norman barons. The villagers' faces reveal desperation and pleading as they confront their oppressors. King Henry I's excessive taxation policies have left them destitute, unable to pay their dues and facing harsh consequences. Woodville's attention to detail is evident in every stroke of his engraving technique. Each figure conveys a sense of injustice and despair through body language and facial expressions. The tax collector stands tall with an air of indifference while confiscating goods alongside the bailiff. The composition evokes empathy for these over-taxed subjects who find themselves at the mercy of powerful forces beyond their control. It serves as a reminder that throughout history, poverty and oppression have plagued societies worldwide. This powerful image preserved in private collection allows us to reflect on our shared human experiences across time. It reminds us that even amidst progress, there are still those who suffer under unjust systems – a timeless message that resonates today just as it did nearly a century ago when Woodville first brought it to life through his artistry.

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