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Fine Art Print : L Assiette au Beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921) (lithograph)

L Assiette au Beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921) (lithograph)



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L Assiette au Beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921) (lithograph)

ICA4891819 L Assiette au Beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc

Media ID 25186224

© Caricadoc / Bridgeman Images

Anticlericalism Boulder Election Handle Caricadoc


20"x16" (+3" Border) Fine Art Print

Experience the rich satire of Emile Combes' L Assiette au Beurre series with this vibrant lithograph from Bridgeman Images. Number 172, titled "Elections, Religion, Bloc des lefts, Million des chartreux," is a colorful commentary on the political landscape of the early 20th century in France. This piece, created in 1904, masterfully captures the essence of the satirical magazine's wit and social commentary. Add this stunning work of art to your collection and bring a piece of historical satire into your home or office. Produced by Camara and available through Fine Art Finder, this lithograph is a must-have for any art lover or history enthusiast.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Bartolommeo Bettera

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EDITORS COMMENTS
This print titled "L'Assiette au Beurre, number 172, Satirique en couleurs, 1904_7_16: Elections, Religion, Bloc des lefts, Million des chartreux - Combes Emile (1835-1921)" is a powerful political allegory that encapsulates the tumultuous state of French society during the early 20th century. Created by Leal de Camara in lithograph form and captured beautifully by Caricadoc's lens, this image showcases the destruction and engraving of human statesmanship. The central focus of the print is on Emile Combes (1835-1921), a prominent French politician known for his anticlericalism. His face portrays both determination and controversy as he handles religion with an iron fist. The wealth and power associated with religious institutions are symbolized by a boulder-like structure labeled "Million des Chartreux" highlighting their influence over politics. Through clever caricature and satirical imagery, this artwork reflects the intense political climate surrounding elections at that time. It serves as a scathing critique of the left-wing bloc's manipulation of public sentiment to gain power while simultaneously challenging traditional religious authority. With its intricate details and thought-provoking symbolism, this print transports viewers back to France in the early 20th century. It captures not only a specific moment in history but also timeless themes such as political corruption and societal upheaval. A true masterpiece from

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