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Fine Art Print : Caricature of Emile Combes, cover of Le Rire magazine

Caricature of Emile Combes, cover of Le Rire magazine



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Caricature of Emile Combes, cover of Le Rire magazine

CHT293257 Caricature of Emile Combes, cover of Le Rire magazine, 12th March 1903 (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: Emile Combes (1835-1921) became a freemason and is portrayed in the cartoon as the Attila of the rue Cadet (central office of Freemasons in Paris); the scalps of monks refer to the policy of separation of church and state and anti-clericalism introduced in France by Combes in the wake of the Dreyfus affair; ); eArchives Charmet; French, out of copyright

Media ID 23178348

© Archives Charmet / Bridgeman Images

Anti Clerical Comical Freemasonry French Politician Laicite Mason Premier Monks


20"x16" (+3" Border) Fine Art Print

Bring a touch of historical humor to your home or office with this stunning Caricature of Emile Combes print from Media Storehouse's Fine Art Prints collection. This captivating piece, originally the cover of Le Rire magazine from March 12, 1903, showcases a brilliant caricature of Emile Combes by Charles Leandre. With vibrant colors and intricate details, this fine art print is a must-have for art enthusiasts and history buffs alike. Add a unique and timeless touch to any space with this beautiful and humorous piece from Media Storehouse.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 37.4cm x 50.8cm (14.7" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Charles Leandre

> Fine Art Finder > Artists > French School

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Farm > Related Images

> Arts > Artists > L > Charles Leandre

> Arts > Literature > Magazines

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Realistic drawings > Animal portraits > Wildlife art

> Arts > Realistic drawings > Animal portraits > Wildlife paintings

> Europe > France > Paris > Politics

> People > Politicians

> Popular Themes > Religious Images


EDITORS COMMENTS
This vibrant and comical print captures the caricature of Emile Combes, featured on the cover of Le Rire magazine on March 12th, 1903. Created by renowned artist Charles Leandre, this colorful lithograph showcases the satirical portrayal of Combes as the "Attila of the rue Cadet" symbolizing his role as a prominent figure in French politics during his tenure as Prime Minister from 1902 to 1905. Emile Combes is depicted with his distinctive profile and signature mustache, embodying both humor and political commentary. The cartoon highlights his affiliation with Freemasonry, portraying him amidst a backdrop of horse imagery that represents this secret society's central office in Paris. Additionally, the scalps of monks adorning his belt allude to Combes' policy of separating church and state and promoting anti-clericalism following the infamous Dreyfus affair. Leandre's artwork cleverly combines elements of satire and wit to convey a humorous yet critical perspective on Emile Combes' political career. Through this portrait-like depiction, we witness an amalgamation of religious symbolism intertwined with political commentary. This print offers viewers a glimpse into early 20th-century French politics while showcasing Leandre's artistic prowess in capturing both likeness and satire. It serves as a testament to how art can be used not only for aesthetic pleasure but also as a medium for social critique.

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