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Fine Art Print : Returning from Brookss, 1784 (colour etching)

Returning from Brookss, 1784 (colour etching)



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Returning from Brookss, 1784 (colour etching)

XCF290978 Returning from Brooks s, 1784 (colour etching) by Gillray, James (1757-1815); Private Collection; (add.info.: the Prince of Wales, later George IV (1762-1830) supported out of Brooks Gentlemans Club by Charles James Fox (1749-1806) and a patriotic publican; ); English, out of copyright

Media ID 12793401

© www.bridgemanimages.com

Alcoholism Badge Canvassing Caring Carried Dishevelled Dissolute Drunk Election Excess Hanoverian Inebriated Inebriation Over Indulgence Patriot Pointing Prinny Supporting Unkempt Vice Votes Weak Weakness


20"x16" (+3" Border) Fine Art Print

Experience the captivating allure of history with our exquisite selection of Fine Art Prints, featuring James Gillray's masterpiece, "Returning from Brooks, 1784." This stunning colour etching, available through Media Storehouse and Bridgeman Images, offers a glimpse into the past with its intricate details and vibrant hues. Originally created by Gillray in 1784, this iconic work of art is a must-have for history enthusiasts and art collectors alike. The Prince of Wales is depicted in this satirical piece, adding an extra layer of intrigue to this captivating print.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 36.3cm x 50.8cm (14.3" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Arts > Artists > B > Charles Brooking

> Arts > Artists > C > James Charles

> Arts > Artists > G > James Gillray

> Arts > Artists > P > George Prince

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Asia > Georgia > Related Images

> Europe > United Kingdom > Wales > Politics

> Europe > United Kingdom > Wales > Posters

> Europe > United Kingdom > Wales > Related Images


EDITORS COMMENTS
Returning from Brooks, 1784 (colour etching) captures a moment of political revelry and excess in the Georgian era. In this satirical caricature by James Gillray, we witness an inebriated Prince of Wales, later known as George IV, being supported by Charles James Fox and a patriotic publican. The image portrays the Prince as disheveled and unkempt, pointing towards his loyal supporters while wearing a badge symbolizing his election campaign. His drunken state is evident through his unsteady posture and dissolute expression. This cartoon-like portrayal highlights the vices associated with alcoholism and overindulgence that plagued the royal figure. Gillray's work not only mocks the Prince's weakness for excessive drinking but also comments on the political landscape of the time. The artist cleverly depicts how politicians like Fox would go to great lengths to secure votes during elections, even if it meant supporting an intoxicated candidate. This print serves as both a historical document capturing an important moment in British politics and a social commentary on moral decay within high society. It reminds us of how power can be compromised when individuals succumb to their weaknesses. Now part of a private collection, this artwork continues to fascinate viewers with its vivid depiction of political intrigue intertwined with personal flaws.

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