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Fine Art Print : Barracks of the Guard of Finance, formerly Casa del Fascio, 1932-1936 (photography)

Barracks of the Guard of Finance, formerly Casa del Fascio, 1932-1936 (photography)



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Barracks of the Guard of Finance, formerly Casa del Fascio, 1932-1936 (photography)

LRI4687336 Barracks of the Guard of Finance, formerly Casa del Fascio, 1932-1936 (photography) by Terragni, Giuseppe (1904-43); Como, Lombardy, Italy; (add.info.: Fascist architecture: barracks of the Guard of Finance, formerly Casa del Fascio (seat of the fascist party) created by architect Giuseppe Terragni (1904-1943) 1932-1936 Como, Italy); Luisa Ricciarini

Media ID 27987556

© Luisa Ricciarini / Bridgeman Images

Fascism C European Economic Community C European Union Exterior View Years 1930 Years 30 Years Thirty


20"x20" (+3" Border) Fine Art Print

Experience the rich history and architectural beauty of the past with our exquisite Fine Art Print of "Barracks of the Guard of Finance, formerly Casa del Fascio" by Luisa Ricciarini. This captivating photograph, taken between 1932 and 1936, showcases the iconic building designed by Giuseppe Terragni in Como, Lombardy. The former Casa del Fascio, now known as the Barracks of the Guard of Finance, is a stunning example of Rationalist architecture, perfectly preserved in this timeless image. Add this masterpiece to your collection and bring the elegance and history of the past into your home or office.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 50.8cm (20" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Jean-Jacques (1873-1951) Waltz

> Architecture > Country > Italy > Related Images

> Europe > Italy > Lombardy > Como

> Europe > Italy > Lombardy > Related Images


EDITORS COMMENTS
This photograph captures the imposing Barracks of the Guard of Finance, formerly known as Casa del Fascio, in Como, Lombardy, Italy. Designed by renowned architect Giuseppe Terragni between 1932 and 1936, this architectural masterpiece showcases the essence of fascist architecture. Once serving as the seat of the fascist party during those tumultuous years in Italian history, this building stands tall with its strong lines and symmetrical composition. The photographer, Luisa Ricciarini, skillfully captures its exterior view from a unique perspective that highlights its grandeur. The image transports us back to the early twentieth century when fascism was at its peak in Italy. It serves as a reminder of how art and architecture were used to propagate political ideologies during that time. The Italian flag proudly waving atop the building symbolizes nationalistic fervor that characterized this era. Ricciarini's photography beautifully captures every intricate detail of Terragni's creation - from the clean geometric shapes to the play between light and shadow on its façade. This photograph is not just a documentation of an architectural marvel but also an artistic representation that evokes emotions and prompts contemplation about our past. As we gaze upon this print today, it allows us to reflect on history while appreciating both the technical brilliance behind Terragni's design and Ricciarini's ability to capture its essence through her lens.

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