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Fine Art Print : Luggie (measuring lands for cultivation), 1877 (albumen silver print)

Luggie (measuring lands for cultivation), 1877 (albumen silver print)



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Luggie (measuring lands for cultivation), 1877 (albumen silver print)

3617930 Luggie (measuring lands for cultivation), 1877 (albumen silver print) by Mallitte, Oscar Jean Baptiste (c.1829-1905); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Plate 2 from The Planting & Manufacture of Indigo in India 29 Photographic views, Allahabad 1877
)

Media ID 25174250

© Bridgeman Images

Allahabad Attar Pradesh Behar Biga Bihar British Empire British Imperialism Crop Cultivation Fields Indigo Langot Loincloth Manufacture Measurement Oscar Mallitte Overseer Pith Helmet Plantation Planter Planting Wheel


20"x16" (+3" Border) Fine Art Print

Step into the past with our exquisite Fine Art Print of 'Luggie (measuring lands for cultivation)', an 1877 albumen silver print by Oscar Jean Baptiste Mallitte from Bridgeman Images. This captivating image transports you back in time, as the farmer Luggie meticulously measures the land with a rope and compass, preparing it for cultivation. The intricate details and rich tones of this historical photograph are brought to life in our high-quality Fine Art Prints, making it a stunning addition to any home or office space. Embrace the beauty and history of this timeless piece and let it inspire you every day.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.3cm x 40.6cm (19.8" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Oscar Jean Baptiste Mallitte

> Architecture > Industrial

> Asia > India > Related Images

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This photograph, titled "Luggie (measuring lands for cultivation), 1877" takes us back in time to the era of British imperialism in India. Captured by Oscar Jean Baptiste Mallitte, this albumen silver print showcases a significant moment in the history of colonialism. The image portrays a scene from an indigo plantation in Behar, India. A group of native workers can be seen gathered around Luggie, who is measuring the land for cultivation. The overseer stands nearby, wearing a pith helmet as a symbol of his authority within the British Empire. The photograph offers a glimpse into the complex dynamics between colonizers and natives during this period. It highlights both the industrial nature of British imperial ventures and the reliance on local labor for their success. The workers are dressed simply, wearing loincloths or langots while going about their daily tasks. Mallitte's composition skillfully captures not only the practical aspects of agriculture but also reveals subtle nuances that reflect power dynamics and cultural exchange. The wheelbarrow used by Luggie signifies technological advancements brought by colonization while also emphasizing manual labor. This print serves as a historical document that sheds light on how colonial powers exploited resources and shaped societies under their rule. It invites viewers to contemplate themes such as commerce, industry, farming practices, and ultimately raises questions about identity and agency within contexts dominated by imperialism.

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